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Dispatch #22

instead-of-either-%2fopr-i-discovered-a-whole-world-of-and-goriia-steinem-my-life-on-he-road

VIEWPOINT

Last week, The Economist released “The World in 2017“, its annual collection of opinionated predictions for the year ahead. This 31st edition advertised forecasts from some personalities of note, including Justin Trudeau and member of the Russian female protest group Pussy Riot, Maria Alyokhina. It also includes predictions from George Clooney. (Oooh la la! I hoped his prediction came with a photo!)

In last year’s edition, The Economist predicted that 2016 would “be summed up in three words: woes, women and wins”. The woes referred to the worsening situation in Syria. The wins noted were sports and tech-related. And, the part about women referred to the impact of women coming into powerful roles for the first time, like Hillary Clinton’s bid for the White House (the 2016 cover featuring future world leaders didn’t even include Donald Trump-they assumed she would win), Janet Yellen’s work at the Federal Reserve, and how Angela Merkel will respond to the migrant crisis.

Turns out they were not entirely wrong in their prognostications -except for the Hillary Clinton part. Looking back, the 2016 edition was also light on predictions regarding the future for 50% of the planet’s population, women and girls. In fact only one out of the 100+ predictions that related to the role and state of women and girls on the planet; ­A piece on the importance of educating girls. In the world’s poorest countries, still, only 20 percent of girls complete Grade 8 education.

The 2017 edition, however, is markedly different. First, it includes not one but seven predictions out of 100+ that speak to the fight for gender equality, including one with the actual word “feminism” in the title. And second, the predictions related to the advancement of women this time are more about broad social shifts, versus an emphasis on a handful of individual women-in-power ‘firsts’.

Social and culture gender-related predictions noted include the increasing acceptance of a fluid approach to gender, the rise of “nuanced feminism”, 2017 as a breakthrough year for women in the boardroom due to quotas and public opinion, and the advent of “marketplace diversity and inclusion”. Andi Zeisler describes in We Were Feminists Once how companies have increasingly used feminism in their advertising to sell us stuff while their overall company leadership and policies continue to show they are at their core, un-feminist, or worse, unwoke”. In a similar way, this same trend is being seen across other areas of diversity and inclusion.

Out of the seven predictions related to gender equality, a piece worthy of both further note and criticism is “A Feminism for All” by millennial writer Louise O’Neill (also the author of Asking for It, a novel examining gender and sexism). First, it’s great to see feminism included in the predictions at all. And we agree with O’Neill when she writes feminism today is for “women of all races and religions, it’s for transgender people, it’s for men, it’s for straight, gay people and everyone in between.” We also agree with O’Neill’s idea of “nuanced” feminism, which says feminist issues are complex and not given to simple answers. However, with her emphasis on how individuals embrace feminism today,  O’Neill misses the opportunity to underscore that feminism is not just a mindset; it’s also about actively working for change, and in particular, systems change. We found that oversight disappointing.

If feminism is about working for deep-seated social change, then it will require much more than a countable increase in the number of “woke” fan girls (or fan guys, and everyone in between) posting selfies of their feminist selves. I guess one could argue that this is at least a start, but for feminism to truly matter, it will eventually need people who are prepared to really dig in, unlearn media’s skewed representation of feminism, relearn the movements’ real history and roots (including it’s issues i.e. white feminism), read everything they can about feminist thought leadership today, and engage meaningfully in efforts to power system and institutional change.

But then again, posting a selfie is easier.

Overall, as a long-time Economist reader, I was pleased to see these topics make the 2017 prediction list. And I hope the curators are as close to right about their forecast as they were with their 2016 list.

As for George Clooney, sadly, there was only a small illustration of his head beside the article, mostly written by someone else.


dimnple

THIS WEEK ON LIISBETH

This week, we interview Dimple Mukherjee, founder of Whole Self Consulting, an advocate for the benefit of women-only spaces, and creator of the Bindi Parlour experience.  The Bindi Parlour is described as a “girls night out at home”, an idea we thought was timely given the approaching holiday season.

We loved Dimple’s very personal, and grassroots story about how she came to entrepreneurship. We hope you do as well. You can find the article here.


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52FEMINISTS

Sometimes you just gotta love Twitter.  For without it, I would not have been introduced to so many fabulous feminist entrepreneurs over the past few months who by chance, saw our feed and decided to reach out because of common ground.

Who is this fab woman? Meet Eileen Scully, an accomplished woman in tech, founder of The Rising Tides, a diversity and inclusion consultancy based in Connecticut, and creator of a fabulous sideline website called 52feminists.com.

The website profiles at present, 52 feminists and the list is growing.  I asked Scully why she started this initiative. Scully explained in an emailed response that “In July 2016, it began to feel as though so much of the progress we had made towards advancing the rights of women were slipping away. Every day I work with businesses helping them achieve gender parity, but I needed an outlet for the social and political aspects of women’s equality. 52feminists is a platform to expand the definition of what is a feminist, through the stories of ordinary people. Each week features a different feminist on each of our feeds, and to our subscriber base.”

To check it out, visit 52feminists.com and submit your profile! You can also join her twitter feed @52feminists.


equality

DO QUOTAS HELP OR HINDER?

Check out Sarah Kaplan’s (Director, Institute for Gender & the Economy, Rotman School of Management) timely new research brief “The Debate About Quotas” where she explores both sides of the gender diversity quota debate.  The brief notes that “Policy makers and organizations have been working toward achieving gender diversity for many decades, but progress has been slow and is perhaps even stagnating.”

Are quotas the answer? Learn about the pros and cons here.


THE CANADIAN WOMEN’S MARCH ON WASHINGTON

It was freezing cold Toronto’s City Hall on Wednesday, December 11, but we showed up anyway.  The occasion? A photo shoot arranged by Toronto march organizer Marissa McTasney (Founder of Moxie Trades).  The purpose was to join other communities around the world doing the same–showing support for the Women’s March on Washington event planned for Sunday, January 21st, the day after the inauguration of Donald Trump as the 45th POTUS (President of the United States). To see similar photos from around the world, use #whyimarch. You can also watch “Why I March” declarations here.

To check out the Metro News article on the gathering, click here. Yes, and by the way, NONE of us are soccer moms (they are making a correction).

The January 21st event promises to be a historical event by all accounts. All across Canada, and around the world, women (and men) are preparing to participate in the march as a show of solidarity for diversity, equality, and inclusion. To find out about a march near you, visit http://canadianwomenmarch.ca/local-marches/.  To get a seat on one of the buses departing from Toronto for Washington, visit http://canadianwomenmarch.ca. Tickets are $150.00 per person.


sophia-robot-2MEET SOPHIA

LiisBethian Vicki Saunders (Founder, SheEO) sent us a link to this incredible article titled “Selfless Devotion” by Janna Avner on why engineers are giving robots “feminine” personalities. And what this says about how femininity is perceived in our society.

Janna Avner is a creative technologist living in Los Angeles who recently co-created Femmebit, a yearly digital new media festival celebrating women artists. Janna graduated from Yale in 2012, and is currently a gallery director who curates shows, exhibits paintings, and writes as much as time permits.

In the article Avner provides us with insight in the humanoid development space.

Avner writes “Sophia,” created by Hanson Robotics, is one of the several fair-skinned cis-appearing female prototypes on the company’s official website. She possesses uncannily human facial expressions, but though she may look capable of understanding, her cognitive abilities are still limited.”

Further on, Avner also notes “Looking at female humanoid robots shows me what the market has wanted of me, what traits code me as profitably feminine. Like a Turing Test in reverse, the female bot personality becomes the measure of living women. Is my personality sufficiently hemmed to theirs? This test might indicate my future economic success, which will be based on such simple soft skills as properly recognizing and reacting to facial expressions and demonstrating the basic hospitality skills of getting along with any sort of person.”

Believe me; it’s worth the time read.  Thanks, Vicki!


CAN’T MISS EVENTS
  • Does your plan for 2017 include launching a social enterprise? The Community Innovation Lab has just launched their 2017 Social Enterprise Accelerator program. This early stage, co-ed incubation and training program will run from February 2017 to June 2017 and aims to support and enrich the learning experiences of social entrepreneurs in Durham Region, Northumberland, and the Kawarthas.  Learn more here. And to apply click here. Only 25 spaces are available.
  • Women on the Move presents “Entrepreneurship on a Shoestring: Where to Spend your Marketing Dollars, Wednesday, January 11, 2017 from 1:00-2:30pm.  Register here.
  • The Institute for Gender & the Economy presents Sallie Krawcheck, Co-Founder and CEO, Ellevest Digital Investment Platform; Chair, Ellevate Network; former CEO of Smith Barney and Merrill Lynch Wealth Management; former CFO, Citigroup; Author, January 12, 5pm-6pm, Desautels Hall (Second Floor, South Building) | map Rotman School of Management, U of Toronto, 105 St George Street.  Tickets are $36 and include a copy of Sallie’s book “Own It: The Power of Women At Work“.
  • Feminist Art Conference (FAC) is a hidden gem of an event. This year it will be from Jan. 10 to Jan. 21, 2017. Tickets are free but space is limited. Register here. Note:  LiisBeth is also moderating a panel on Gender & Entrepreneurship
  • If you want something to look forward to in the New Year after the mad rush of celebrations and resolutions, consider joining Dimple Mukerjee’s 10 Day Morning Rituals Challenge in February 2017. It’s quite the ride, and there’s absolutely no right or wrong way to do it. You’ll connect with other like-minded people, and maybe even plant another seed for your wellness, just waiting to sprout and grow. Click on the link above to get a heads up when it gets closer.

 


That’s it for the December newsletter. And we are also taking a short break from our publishing schedule so all can enjoy the holidays.

We will resume our newsletter and monthly publishing schedule on January 17th, 2017. What’s ahead? We kick things off with a inspiring article by Margaret Webb about a group of “Bold Betties”  in Colorado, a rousing video interview with Dr. Patricia Green (Paul T. Babson Professor of Entrepreneurial Studies and Academic Director Goldman Sachs 10,000 Small Businesses and 10,000 Women) on feminist entrepreneurship, followed by an interview with Dr. Candida Brush (Babson professor of entrepreneurship and Vice Provost of Global Entrepreneurial Leadership) about the need for more relevant curriculum for women entrepreneurs.  In January, we also feature Katelyn Bourgoin, founder of a very cool online network of female entrepreneurs called Vendeve.  And of course, there will be much more.

In case you feel like a LiisBeth fix during our break, and in case you missed them the first time around, we recommend checking out our 2016 most-read articles (according to Google) by category:

Service articles:
1. Invasion of the Brain Pickers: 9 Ways to Deal with Requests for Free Advice, by Rona Maynard
2. How to Embed Feminist Values In Your Company, by Valerie Hussey
3. Why We Need Diverse Approaches to Start Up Incubation, by Priya Ramanujam
4. Bridge Over Tricky Waters: Love, Business and Good Governance, by Sue Nador

Activism:
1. When Those Who Lead Fall Behind, by Petra Kassun-Mutch
2. Who Erased Claudia Hepburn, by Petra Kassun-Mutch
3. Entrepreneurs by Choice; Activists by Necessity, by Cynthia MacDonald

And finally, for most read profile, check out  All Jacked Up, by Margaret Webb.

All in all, we published 55 original articles in 2016 plus 22 newsletters.

Regardless of web statistics, we are super proud of the work created by all contributors, illustrators, and freelance editors.  Big hugs to each and all. We will see more of their work along with the introduction of new contributors in 2017.

If you have not subscribed to LiisBeth, but have valued our work, please help us continue by signing up as a paid subscriber here.

In the meantime, dear readers, subscribers and LiisBeth website visitors, have a terrific holiday season.

See you again on January 17th. And as always, if you have comments, thoughts, story ideas or tips to share, please send them our way to [email protected].

HAPPY HOLIDAYS!

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Body, Mind & Pleasure Our Voices

Dimple Mukherjee Finds Her Voice—And Founds A Business

dimnple

 

Dimple Mukherjee, founder of Whole Self Consulting, didn’t plan on becoming an entrepreneur. She grew up in a largely traditional South Asian household and observed that starting and running a business was men’s work. However, modern life intervened. Separated with three kids and looking to finally build a life she could love, the answer for her became entrepreneurship, learning to speak, being heard and seen, and connecting with inspiring entrepreneurial women.

We loved speaking with Dimple. Her story is an example of the transformative power of entrepreneurship, and how successfully crossing the river towards entrepreneurship is often a matter of feeling for the stones.


LiisBeth: Tell us about your journey.

Dimple Mukherjee: I was born in India but raised in Taiwan. We moved to Toronto when I was 12. My mom was a homemaker, but my dad was an entrepreneur. He started at age 16. Growing up in a household where my dad and his brothers had built a life for themselves around their business, I always felt that that was not a possibility for me. It just seemed very male-dominated back in the ’70s and ’80s. Instead, I chose to become a health care worker, a healer. It wasn’t by intention that I became an entrepreneur, and I still have a hard time calling myself an entrepreneur.

It was by chance that I stumbled upon entrepreneurship as a path because I was coming from a place of wanting to be of real service to others, not just making money. Then,I read about Jadah Sellner, founder of Simple Green Smoothies. She said the way to think about entrepreneurship is to think about it as a way of creating and offering the world an important service. When I wrapped my head around that, I was comfortable calling myself an entrepreneur. I am all about service.

L: What did you do before starting your company?

DM: I worked in a hospital setting for about eight years. The job there gave me a little bit of understanding of how the world of business and entrepreneurship works. I was learning how to market myself within the medical industry, creating a name for myself, a reputation, which is all part of the entrepreneurial world. My job provided me with a stepping stone into the world of entrepreneurship.

L: Tell me a bit about how you decided to start Whole Self Consulting. Was it one of those aha moments that happen late at night?

DM: I think the journey began with a pivotal point in my life when I realized I was in a marriage that was no longer healthy for me. Still, I stayed in it because: a) I didn’t realize what was going on; b) due to the cultural programming that I grew up under, divorce was not an option; c) my kids. Growing up, I was programmed to believe that if you got divorced, the kids would suffer. I was struggling to find a way forward and didn’t know where to turn.

Meanwhile, I had also developed a passion for holistic living. I had begun pursuing a more holistic way of living when my kids were born, and I was finding that medicine didn’t have a lot of the answers for some common problems like ear infections and things like that. I started searching for other ways. I started seeing a naturopath and started living more holistically myself.

Then one day, I was in a natural food health store and I picked up this book Crazy Sexy Diet by Kris Carr. She is an entrepreneur and a cancer survivor. Carr’s website then led me to Marie Forleo’s website. She is a female entrepreneur who has a program called B-School. It helps and inspires women to start online businesses. That was very intriguing to me, but I still didn’t understand why at the time.

But that was in 2012. As I became more involved in B-School, I found I was really attracted to her teachings about how to become a creative entrepreneur, but I still didn’t know what I wanted to do with it. During this time, I had thought about doing my MBA. While preparing for the GMAT, one of my peers said, “Why are you even bothering with an MBA? You’re trying to build a life. Build on your passion for holistic living. Develop entrepreneurial skills.”

She also encouraged me to take an integrative nutrition course. So I joined the Institute for Integrative Nutrition online. From there, I decided that I wanted to become a health coach. I got my certification in health coaching, separated from my husband, and Whole Self Consulting was born.

L: Why did you choose to immerse yourself in an online entrepreneur program for women (B-School)?

DM: I think it stems from how I was raised and just being very comfortable around women and not around men. Intuitively, I felt drawn to women and the feminine energy based on my intuition. If I look back to my upbringing, I was brought up in a home where the male figure was dominant. We were three girls and a boy, and my dad’s mentality was that once a girl is married, she is gone. She belongs to her husband. Her duty is to service her husband and her husband’s family.

I didn’t learn to speak, metaphorically, until I left my parents’ home and went to university. I was always very uncomfortable in school, very shy, very withdrawn, very much an introvert, and I felt uncomfortable around men. I think I was drawn to these female leaders because I felt safe to speak openly in their presence.

L: You talked about the value of women’s spaces. Some argue that we don’t need that anymore or we shouldn’t need to have that. What’s your sense of why women feel safer and more comfortable talking when there are no men in the room?

DM: Every woman’s experience is different. We all come from various backgrounds. Some of us have been subjected to all kinds of domestic violence, sexual violence. I think because of the years and years of oppression, women have learned how to connect with each other in women-only spaces. I think women-only spaces thrive because women feel a sense of safety in them.

Also, many South Asian women are often uncomfortable allowing themselves to be “seen” or heard in co-ed settings because, traditionally, women have assumed the background role of being mothers, nurturers, or homemakers. If they push to be seen or heard, they feel as though they are being disrespectful to men, even if they are around men who don’t think like that. The result is that many women find it hard to take on leadership roles in groups. They want to keep themselves small to make others feel comfortable.

L: Do women behave differently in women-only spaces?

DM: Mm-hmm. Women actually want women’s spaces so they can be themselves and talk freely about their issues. Research shows that when you have men in the same room as women, men silence women just by their presence. They tend to set the agenda and they also tend to talk over women.

Also, I found that women actually thrive under the company and the social support of women. Being in a women-only space enhances the women’s ability to bring forth what they need to in the world.

L: Tell me about Bindi Parlour.

DM: Bindi Parlour was brewing in my system, like everything else, for a long period. Bindi Parlour, on a surface level, is like a girl’s night in at a friend’s home with eight to 12 of your closest friends. It could even be people that the hostess may not know well, but that she has decided to invite into her home for a Bindi Parlour. During the first two hours of this party, I facilitate a women’s circle and it takes the form of experiential learning.

There’s a different theme to every Bindi Parlour depending on what the women want. One of the themes that have been popular with women has been self-compassion. Some other topics that have come out of this is the art of gratitude and the importance of daily rituals. Women are responding well to the learning that happens in Bindi Parlours but beyond the learning, they’re establishing deeper, richer connections that are serving a need that’s lacking right now in our society: connections with themselves and with other women.

L: After a Bindi Parlour, what do they take with them into the real world?

DM: I got a few testimonials and have done feedback sessions with them as well. The words they used were that they could release. By releasing, they were able to tap into those barriers within themselves. Once they’ve released that, they felt inspired to take action.

At that point, I encourage them to identify one little action that they might take back into their lives, or one little thing that they can share with a friend. They leave feeling very inspired, uplifted, and able to relieve emotions that they didn’t even realize they had until they were within the power of a group of women.

L: Who’s the target market?

DM: Women between the ages of 30 and 60. I get a lot of women from my generation whose parents are immigrants to this country. Women, in general, are really hungry for something like this.

L: When you’re crafting a Bindi Parlour, do you recommend that everybody know each other? Or is it better when they don’t know each other?

DM: I like women that don’t know each other, simply because it is difficult for a woman to open up when she has friends there that she has known since she was a child. You never know what’s going to come out in the group. Lately, there are themes that have been coming up such as infertility, which I had never thought would come up.

Infertility is a very sensitive topic for a woman, and it touches every core of her being: body image issues, guilt, and shame. She may wonder if something is wrong with her. It makes sense that that would come up when you’re talking about self-compassion, but I didn’t think that women would dig so deep. It just goes to show you what that power of sisterhood can do. When one person in the group decides to open up, it gives permission for the other women to open up.

L: What does it cost to attend a Bindi Parlour?

DM: It’s $40 per person. It’s not making money right now, but that’s not a big concern for me. One of my beliefs is that the money will come if you’re doing something you love and you’re being of service and it’s coming from a well-intended place.

L: From an entrepreneurial perspective, where do you want to be with Bindi Parlour or Whole Self Consulting in five to 10 years?

DM: I’d like Bindi Parlour to be accessible to as many women as I can make it available on a global level. For that, it’s going to have to take on the shape of an online program. However, I don’t want to lose the intimacy of an in-person women’s circle. That will mean that I have to somehow keep the spark of the in-person circles alive while creating and holding space for women online. Eventually, I would like Bindi Parlour to be a community of women who gather together, whether in-person, online or at a retreat, to become the best versions of themselves.

L: What’s one book you would recommend to our readers?

DM:  That’s easy! Pussy: A Reclamation by Regena Thomashauer.


This interview has been edited for length and clarity.

Related Readings: “Why Shecosystem Is My System”, by Marni Levitt

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Dispatch #21

 

superwoman
Ilene Sova, Superwoman, 2013

 

VIEWPOINT

Why start a business in an industry in crisis (publishing, media, journalism), targeting a demographic (feminist entrepreneurs and business owners) that adds up to a hyper-niche space, and that few, if any advertisers care about (their enterprises tend to be small; read: they have no money).

Because, as Leonard Cohen says, “There is a crack, a crack in everything; That’s how the light gets in.”

Creating Cracks 

I recently picked up the book Making Feminist Media by Elizabeth Groeneveld (2016) at the library. The book is about Groeneveld’s insight into feminist media after studying five significant “third wave” feminist publications (Bitch 1996-present, Bust (1993-present), HUES (1992-1999), ROCKRGRL from 1995-2006, Venus Zine (1994-2010), Canada’s Shameless (2004-present), and the only online publication studied Rookie (2010-present).

While their feminisms diverge, what they all have in common is that they aimed to cleave cracks in the steely grey morass we call the system to advance an agenda of social, political, and economic gender equity and equality. Despite the operating challenges and hate mail they received (a phenomenon even before the age of internet trolls), they still triumphantly created vibrant and life-changing media spaces where women and girls could have authentic conversations that matter to them.

Groeneveld notes that these magazines demonstrate, by the nature and stories of their very existence, “what the capitalist market can and cannot sustain.” Their history also shows us why it is so important that healthy societies ensure alternative narratives are heard: These stories become the fodder for the coffeehouse or kitchen table debates that sometimes later lead to the founding of new movements, inventions, businesses or community initiatives that better our world. These magazines didn’t just retread safe consumer narratives—they inspired new ones that catalyzed social change.

If They are so Important, Why is Feminist Media so Hard to Fund?

Feminist media in North America has been around since the early 1700s. A study by Kathleen Endres and Therese Lueck, referenced in Groenveld’s book, which catalogued 76 feminist publications, notes that over one-third of them were defunct after 10 years. Most hung by a financial thread (even in the ‘good old days’ of periodical publishing). If they play such an important role in the lives of women, and our collective path to gender equity, we have to ask why they are so unsustainable.

For starters, enterprises of all sorts generally do better when they address huge markets with big consumer-minded audiences, and in comparison, the number of people who engage with feminist media is low. The fact that the community is also fractured exacerbates the addressable market size problem. There is no one feminism.  While many have a base of loyal paying subscribers, there never seems to be enough of them to make the reader-supported model work on its own. Also, many feminists have (with good reason) been historically suspicious of corporate funding, if not outright anti-capitalist and anti-consumer in their worldviews, and this has not helped the bottom line. Magazines who started to become too commercial in an effort to survive were sometimes punished by their own readers (read: unsubscribed).

However, this appears to be changing. Feminist entrepreneurs, in particular, generally agree that the new imperative is not to ignore capitalist economics, or capitalism as mass culture, but to invent a feminist interpretation of what capitalism could be like if guided by different values. For “how to” inspiration, many look to the social innovation and evolving social enterprise space. New organizational models (e.g.non-hierarchical network organizations or collective impact organizations) and transformative funding models (e.g. community bonds, impact investors, crowdsourcing) are part of today’s feminist changemakers toolkit.

While market realities still befall many, the few recent success stories referenced in the book demonstrate that it is possible to craft an acceptable collage of compromise between sustaining an independent medium for feminist audiences and running a financially viable enterprise that can pay editors, illustrators and writers at the very least, a living wage.

This is good news for the future of feminist media and anyone interested in advancing gender equality and equity. The reality is that new worlds start with new stories.  We need feminist media and storytellers. In fact, it would seem, given recent world events and troubling trends, that we need these outlets and voices more than ever before.

“…reading feminist magazines is much more than the consumption of information or entertainment; it is a profoundly intimate and political activity that shapes how readers understand themselves and each other as feminist thinkers.”–Elizabeth Groeneveld

As a feminist business magazine, LiisBeth is also engaged in navigating this tricky feminist media enterprise design, operating and funding terrain. And as a result we too are working to craft our own unique pastiche of sustainability. For example, rather than accept the either/or options of becoming a nonprofit or for profit, we customized our articles to reflect a for-profit/non-profit hybrid. We chose to further our commitment to social purpose by becoming a certified  B Corp. And like others in the feminist media sisterhood, we also look to leverage new funding sources (e.g. crowdsourcing) along with innovative and aligned sponsorships, swaps (SwapcityB2B, Bunz) and partnerships to build and sustain what we started.

For now, with just over 600 subscribers, we are not yet a bonafide crack—just a chisel mark. But with your continued support, we can indeed become one of the many cracks that lets the light in.

(To subscribe to LiisBeth today, click here)

Other feminist media to consider this holiday season:
http://gutsmagazine.ca/

Home


http://roommagazine.com/
https://mcclungs.ca/
http://www.broadsidefeminist.com/  (Now defunct, but amazing archive online)
http://www.lennyletter.com/


LiisBeth Field Notes

https://www.theguardian.com/commentisfree/video/2016/jan/13/marlon-james-are-you-racist-video

We think this video featuring Marlon James (author of the 2015 Man-Booker-prize-winning A Brief History of Seven Killings) is one worth watching—and showing your kids. In this video, he talks about the difference between being a non-racist and an anti-racist. Being a non-racist facilitates inaction—perhaps you don’t discriminate, but you also don’t actively work to stop discrimination. He makes a strong case. Simply standing on the sidelines by being non-racist is not enough.

To go a level deeper on understanding the distinctions regarding where one is on a spectrum of non-racist to anti-racist advocacy is also well illustrated in this chart prepared by Rina Campbell of Campbell Consulting in Chicago. In Campbell’s chart, she looks at the difference between a passive non-racist, active non-racist, ally behavior, and anti-racist advocacy, at the individual, community, educational and systemic levels.

After reviewing Campbell’s chart, think about where to you fit in. And then think about how this spectrum framework would apply to your relationship with feminism. We think the same logic can also be applied to other forms of discrimination like gender inequity. Are you sexist? Non-sexist? Or anti-sexist?

Gifts That Keep On Giving: Introducing the B-CORP Gift Guide

Okay, if you are going to buy gifts this holiday season, here is an opportunity to spend your shopping dollars in ways that matter. You can get to the Canadian B Corps online gift guide here. B Corps are businesses committed to positive social and environmental impact. And guess what?! We’re in there!

Other Cool Links to Nifty Gifts:

1. LiisBeth Bookshelf—recommended reads by LiisBeth (when you order via our website, you help us out too!)

2.  Mashable’s feminist gift guide


Can’t Miss Events
fac_2017

LiisBeth attended the Feminist Art Conference (FAC) last year and became a fan of this hidden gem of an event. This year it will be from Jan. 10 to Jan. 21, 2017. They usually sell out, so hurry and register here.

The Feminist Art Conference of Toronto is a volunteer-based organization that brings together artists, academics, and activists to consider feminist issues through art.

LiisBeth is hosting one of the community panels at the FAC on Saturday, Jan. 21, entitled Gender, Entrepreneurship, and Innovation. Panelists include Jack Jackson (All Jacked Up), Renishaki Kamal (Fidget Toys), Emily Rose Antflick (Shecosystem) and more!

And for Your Calendar in 2017, Don’t Forget to Mark:

  • Canadian Women’s March to Washington, Jan. 21.  This event has been organized to support women’s issues in the USA and has now become a Global Movement.A small group of dedicated volunteers are leading the Canadian Initiative and will support these efforts across Canada including a Delegation to Washington, DC. Want to join in? Register here!
  • Forum for Women Entrepreneurs Pitch for the Purse event, Feb. 20, Vancouver, B.C.
  • International Women’s Day March, March 8, 2017
  • Ontario Pay Equity Day, April 19, 2017
  • Digifest is a three-day conference located on Toronto’s waterfront that focuses on the future of education, creativity, entrepreneurship, gaming, and technology; organized by George Brown College. It also features a pitch competition. April 27-29, 2017

Wow! Here you are at the end! If you want to receive our newsletter right into your inbox, sign up here today (Free!)

Categories
Body, Mind & Pleasure Our Voices

Black Foodie Turns The Table

eden-black-foodie-photo-web

 

It was meant to be a night out of fun dining with the ladies to celebrate Eden Hagos’ 25th birthday. But when she and her friends were ignored and disrespected at a local restaurant, Hagos, a longtime foodie, began to think about how the food industry treats Black people, and how Black-owned restaurants are regarded. And that eventually led her to launch Black Foodie, a blog spotlighting “the best of African, Caribbean and Southern cuisine and foodie experiences” through a Black lens.

On her 26th birthday, Hagos wrote about the incident that inspired Black Foodie’s creation — the blog post went viral. But the degree of online hate it generated shocked her – derogatory comments about her race, gender, looks. “People are telling me, oh Black people don’t tip,  Black people are bad customers, they don’t deserve good service,” recalls Hagos. “They proved exactly why we need this community – living proof that I could screenshot. It’s not even like you could try to say, ‘Oh, this is what you perceived.’ It’s real, and it’s literal, and you can feel that hate.”

For Hagos, the hate not only solidified her belief in the need for Black Foodie but strengthened her resolve to make it successful. In just over a year, she has built up 11,000 followers on Instagram, attracting readers from across Canada, the United States, the United Kingdom and several countries in Africa. Initially investing her own funds – the low-cost is part of the reason why she started with a website – she has since secured a couple of small business grants, including $1,500 from the School of Social Entrepreneurs Ontario’s Hook It Up program. She expanded from a website featuring recipes and restaurant reviews to a multi-pronged company that sells merchandise, offers brand and social media services to restaurants and hosts foodie meet-ups and events to generate revenue. In the future, once she’s grown her audience, she aims to sell advertising.

Black Foodie’s signature event, Injera and Chill – a play off the popular saying ‘Netflix and Chill’ – celebrates the classic Ethiopian bread injera that Hagos ate growing up. She started it in the fall of 2015 as a pop-up event in Toronto and drew about 50 people, predominantly Millennial Black foodies, to learn about and enjoy a traditional Ethiopian meal and coffee ceremony. Hagos then took the event on the road, organizing meet-ups for fans of Black Foodie in London, England and Atlanta, Georgia. Back in Toronto, she stepped up the summer 2016 event, expanding the celebration of food to a showcase of East African culture with a DJ, entrepreneurs showing their products and filmmaker Messay Getahun premiering the trailer for his movie, An Ethiopian Love. She charged $35 a ticket, and it attracted 150 guests.

Hagos, who was born in Windsor, Ont., credits her love for food to her parents, who immigrated to Canada from Eritrea, then a part of Ethiopia. Her father owned one of the first Ethiopian restaurants in Windsor. When she was growing up, she remembers him often cooking, which is significant, she explains, since in many Ethiopian households men don’t cook. Her parents knew the struggles of entrepreneurship firsthand and, like many immigrant parents stressed the importance of education. She attended both Calvin College in Grand Rapids, Michigan and York University in Toronto, graduating with a degree in sociology. She had planned on going to grad school in the U.S. but when she didn’t have the money or see a career path that appealed to her, her desire for “freedom” pulled her toward entrepreneurship.

She applied for and won a spot in Studio Y, an eight-month fellowship program for innovative thinkers run out of one of Toronto’s leading entrepreneurial spaces, MaRS Discovery District. She says her thinking around education and diversity helped get her in the door. What she appreciated most about Studio Y was the opportunity to earn a stipend while developing and testing ideas. Early on, she considered creating a line of Ethiopian spices; by the time she left, she was on the verge of launching Black Foodie.

“I was encouraged by many of the staff and other fellows to dream big – nothing seemed out of grasp to that group and it was very inspiring to be in a community that valued this,” says Hagos. That said, she was often left thinking, “There are so many other people like me, why aren’t we in here?” She yearned to see more people of diverse backgrounds, as well as more conversations around her entrepreneurial mission to target her own demographic, solve problems within her community and be successful at it.

In the summer of 2015, Hagos attended a pitch competition for Black tech entrepreneurs in New Orleans, Louisiana, connected to the Essence music festival. Being in a room full of powerful, Black investors proved inspiring. Though she wasn’t ready to pitch her company then, the event made her see that the start-up world was not just for white men. She also realized that for her company to grow, she had to think beyond the borders of Toronto and even Canada. She sees more opportunities for Black-owned businesses catering to Black people to thrive abroad. Sheer numbers for one:  In the U.S., for example, there are more than 37,000,000 Black people as of 2010 Census stats; Canada has just a fraction of that.

She also sees opportunity in Black Foodie’s appeal to women. Some 70 per cent of her readership – as well as the vast majority of her contributors – are women who identify as belonging to the African diaspora. “It’s crazy to me because we’re the ones cooking. But when you see the ones who are celebrated, it’s usually men. In the Black food world, it’s usually men who are hosting these events.” She also points out that popular images of Black women and food are often associated with racist depictions rooted in an African American context, such as the nanny. “I’m a Black woman, so, of course, I’m drawn to stories of people who I can relate to and I think they’re also drawn to me.”

Indeed, special events coordinator Eden Zeweldi agreed to work with the company, without even knowing how much she’d be paid. She has since planned five events in collaboration with Hagos. “[Eden’s] passion and her excitement for it gave me so much energy,” Zeweldi says. “I could actually be part of a movement that would bring food that my mother makes into the limelight.” Food stylist and photographer If Ogbue also saw the opportunity to work on Black Foodie as “a breath of fresh air.” She sees huge potential in the Black Foodie brand and envisions it evolving into a web series or television show in the future.

That’s exactly where Hagos hopes Black Foodie will be in five years. She would like to develop several Black Foodie branded shows; spearhead a huge Black Foodie festival that brings together chefs, food writers and foodies; and publish a cookbook, perhaps the first of many. Still, Hagos is careful not to get ahead of herself. The key now is that Black Foodie is sparking an important conversation, both outside and within Black communities. “My goal is not just to teach other people that we exist,” she says. “I’m interested in encouraging this conversation to happen amongst each other. Some of the things we talk about in food, you can only understand if you’re a person of colour. It’s kind of like an inside joke, and I don’t always want to be trying to explain that inside joke to other people.”

 

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One of Eden’s favourite things to make around the holidays is sweet potato pie. Here’s her recipe. Give it a try.

sweet-potato-pie-2

 

Sweet Potato Pie 

Filling

  • 1/3 cup of brown sugar
  • 2/3 cup of condensed sweet milk
  • 1/2 cup milk
  • 2 eggs
  • 1 1/2 stick butter
  • 2 large spoons cinnamon
  • 1 spoon Vanilla extract
  • 1 tsp of lemon juice
  • 2 large spoonfuls of cinnamon
  • 1/2 spoon ginger
  • 1/2 spoon allspice
  • 1/2 spoon nutmeg
  • 2 large sweet potatoes
  • Brown sugar paste:
  • 8 Spoons brown sugar
  • 4 spoons Butter
  • 2 Unbaked pie shells

Brown Sugar Paste 

  1. Mix brown sugar and butter together to form a thick paste
  2. Spread half of the paste onto unbaked pie shell and bake for ten mins or until it forms a caramelized layer (don’t let the shell get brown)
  3. Let it pie shell cool as the filling is prepared

Filling 

  1. Bake sweet potatoes (or boil) until they become very tender
  2. Peel the sweet potatoes and cut into small pieces
  3. In a bowl blend the sweet potatoes, milk and condensed milk
  4. Add all of the remaining ingredients sweet potato mixture and blend until it has a creamy consistency then place the half the filling into pie shell and bake for 40 mins on 350.

This recipe will make two pies. Or you can use the remaining filling to prepare a sweet potato casserole, topping the mix with marshmallows and baking for the same amount of time.

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Related Articles:

https://www.liisbeth.com/2016/11/08/not-incubators-entrepreneur/

Categories
Activism & Action Our Voices

Ilene Sova: A Woman of Action

 

ilene-sova-bio-pic3-448x600

 

Ilene Sova is a Toronto artist, artrepreneur, Tedx Woman speaker and founder of The Feminist Art Conference (FAC). Sova started drawing at age three, and while pursuing her bachelor of fine arts at Ottawa University, developed a keen interest in women’s psychology and feminism. She later combined these three passions and made a commitment to use her painting skills to catalyse discussion of women’s social issues. Her “Missing Women Project” was showcased at the 2013 National Forum on Feminism in Ottawa.

LiisBeth will be moderating a panel on Gender, Entrepreneurship, and Innovation at the upcoming FAC at OCAD University on Saturday, Jan. 21 2017. Panelists include Jack Jackson (AllJackedUp), Renish Kamal (Fidget Toys), Emily Rose Antflick (Shecosystem), and more!

LiisBeth recently sat down with Sova to talk about art, politics and the FAC.

LiisBeth: Why did you found FAC?

Ilene Sova: I founded FAC out of a project that I was working on called the Missing Women Project. I had been painting Missing Women from Ontario for four years in an impassioned attempt to bring about a discussion around violence against women in our local communities. As I was going through each case and doing the research for the portraits it was very clear that each woman had suffered violence due to patriarchal systems of oppression. While I processed this, I had all that feminist rage building up like a pressure cooker. I realized that I really needed to talk about these issues with feminist artists who could give me feedback and context. I came to a realization that I really wanted a supportive community to connect to.

My second realization was that that community didn’t really exist in any organized form in Toronto. So, when I launched the show, I decided that I would organize FAC to bring other feminist artists together to talk about the issues in our work and to meet one another under one roof, make connections, network and create relationships. I made a call for submissions and took the big leap and put it on social media. It had 45 shares by the end of the day. And by the end of that week, I had 20 volunteer committee members come forward! I was getting emails from all over the world (Kenya, Colombia, the U.S.) I was shocked by the reaction! The first FAC was quite magical, and afterwards, everyone was asking, “When is the next one?” I hadn’t thought about doing it again, but when myself and the committee saw the response, we decided in that moment to commit to yearly events and programming to continue with this wonderful energy!

LiisBeth: How many years has FAC been running? What has the response been like?

IS: FAC started in 2012 and our first conference had 60 participating artists and 150 attendees. It sold out in 48 hours. In 2014, we had 120 participating artists and 350 attendees and the conference was fully registered in 54 days. Last year we had 140 participants and 560 people registered! It’s growing beyond my imagination and we now have the addition of the two-week FAC Residency with Artscape Gibraltar Point every spring!

LiisBeth: We just have to ask: since Trump’s win, what are your thoughts about the role of feminism in the coming four years?

IS: My initial feeling about U.S. election news was a strong sense of ambivalence. Does it really matter who won? As a young anti-globalization activist, getting tear gassed pepper sprayed and beaten by police (for speaking out against economic trade agreements) I learned quite early that, to quote Bell Hooks, the “white supremacist, patriarchal, capitalist system” will do what it will do. I also experienced how systems issues impact our everyday lives. In my view, the system today is on a fast track to eliminate the middle class, divide people, deregulate, reduce government, erase the social safety net and ultimately privatize services to make immense profits for billionaires. To do that successfully, it MUST create fear, marginalize, oppress, mass imprison, and destroy Indigenous rights. Donald Trump is simply part of a mechanism. And so was Hillary Clinton for that matter—which is why she didn’t win.

As someone who disagrees with how the system works today, and as a feminist activist, I wake up each day asking myself what will I actually do to change it? My answer? I decided to make the kind of art that fuels social change, and focus on helping to build and support my community. I research issues I’m passionate about; and take considered actions to create positive change in people’s everyday lives. It’s the reason I work tirelessly on initiatives like the Feminist Art Conference, getting art education back into our schools with the Blank Canvases project, working hard to provide affordable art spaces at Walnut Studios. These are my points of resistance; this is how I fight back. All the wonderful feminist community organizers in Toronto know it’s time now more than ever to focus on the work in our local areas. As a feminist, if you are feeling demoralized and helpless, give some thought to how you can RESIST in your own, unique way. Help build an active, positive community in spite of the election of a regressive regime in the U.S.. Stand up. Fight back. 

LiisBeth: That sounds like a terrific New’s Year’s resolution item! Thank you, Ilene!

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Some Additional FAC Facts

  • In 2013, FAC received over 70 submissions from all over North America, including Colombia and Kenya.
  • FAC 2015  expanded to one week of activities including three satellite exhibitions (one at The University of Toronto, one at York University and one at Artscape Youngplace). Participants came from as far away as Norway, South Korea, Australia, Hong Kong, Turkey and the U.S.

What to Expect at FAC 2017(running Jan. 10-21)

Another incredible lineup of speakers, artists and panels, including:

  • Liisbeth – Gender, Entrepreneurship, and Innovation (Jan 21)
  • Queering Feminist Art Class Panel Presented by Feminist Art Gallery / York University
  • Centre for Pluralism in the Arts Ontario – Women of Colour and Equity: Double Trouble
  • Black Futures Now – Organise This!: The Ethics, Politics, and Joys of Organising a Black Conference
  • Closing Keynote Presented by Native Women in the Arts: Sadie Buck Interviewed by Erika Iserhoff
  • Maker’s market!

For more information and the detailed schedule, go to https://factoronto.org/fac2017/.

To register, go to https://www.eventbrite.ca/e/feminist-art-conference-2017-embodied-resistance-tickets-29284113572.

Categories
Activism & Action Systems

Why We Need Diverse Approaches to Startup Incubation (Hint: One Size Does Not Fit All)

incubator-part-two

I wear many hats. Journalist. Editor. Instructor. Youth and community program facilitator. Entrepreneur. Of all the titles, it’s the last one that I feel the most conflicted about claiming. Entrepreneurial certainly describes my spirit and journey: Thirteen years ago I incorporated a company, which my business partner and I have been running ever since; I have spearheaded several grassroots community initiatives and programs; and for the last two and a half years, I have been fully self-employed, meaning I pitch and land myself work or I don’t eat.

However, when I think entrepreneur—perhaps because of the magazines and books I’ve read, podcasts I’ve listened to, and representations I’ve seen on the topic—I largely think of a world to which I don’t belong. That world is rich with incubators, accelerators, networking mixers, co-working spaces, venture capitalists, angel investors, and Dragons’ Den-style pitch competitions. It’s not a world I was ever a part of (more on that here). Now, as I’ve aged out of the under 29 demographic and realize many others experience similar challenges to mine, I find myself wondering what it will take to bring more young women of colour in Ontario into that entrepreneurial world.

In November 2015, Ontario announced a $27 million investment in youth entrepreneurship as part of its larger $250 million Youth Jobs Strategy. The initiative includes a youth business accelerator program, which provides training to youth starting technology-based enterprises; a youth investment accelerator fund to provide financial and business skills training for startups; and campus-linked accelerators to help colleges and universities provide entrepreneurship resources for students and youth in their regions. The government is partnering on this project with the Ontario Network of Entrepreneurs (ONE), a regional network of 90 centres across Ontario that provide in-person and online advice, funding, resources, and programs for people who want to start and grow successful businesses.

Much more than when I was starting out, the idea of “youth entrepreneurship” is catching on like wildfire. I am excited about this. But, from my own experiences, and those of people in my networks, I know that to ensure that these government-funded initiatives are inclusive, welcoming, and accessible—specifically for racialized women—it will take more than just dollars and cents. To find out what it will take for the government-funded startup space to serve racialized women better, I spoke to several young women entrepreneurs, the same ones from part one of this article, as well as women behind innovative entrepreneur-serving initiatives.

Ensuring Access

The word access comes up again and again in my conversations about what government-sponsored programs must consider when setting up initiatives to help young women of colour entrepreneurs. Doina Oncel, founder of hEr VOLUTION, a non-profit that aims to increase access to innovative education and employment services for young women in science, technology, engineering, and mathematics (STEM), says it’s important for these programs to listen to what young women need. To create hEr VOLUTION’s hv Think Tank Accelerator, which launched this past summer, Oncel drew on her own expertise having worked in social services, as well as her own experiences launching a business while living in a shelter for women and children who are victims of domestic violence. The four-month program, funded by the Ontario Trillium Foundation, is geared towards young women 15 to 26 years old who are interested in entrepreneurship and face barriers. For example, they may be in conflict with the law or new to Canada or from a low-income household. Topics covered include public speaking, financial literacy, marketing, and business planning. “[Having] worked with this demographic, I understood that they have a lot of great ideas, they just don’t know where to go [for help],” Oncel says. “When it comes to entrepreneurship learning, you have a lot of programs available in the city, but in the ‘priority neighbourhoods,’ there aren’t a lot of programs.”

Aisha Addo, 24, is the founder of the Power to Girls foundation, a non-profit she started at 17 to “empower Afro-diaspora girls in the Greater Toronto Area and abroad,” and most recently, DriveHER, a ride-sharing service that’s like Uber but focused on providing safe rides for women. She points out that because so few programs are offered outside of the downtown core, barriers to access can include things like not having transit fare or the lengthy travel time to get to an accelerator or incubator. She also criticizes many existing programs for not doing enough outreach within priority communities. It’s one thing to have programs available, but the work doesn’t end there. It’s important to ensure that access isn’t limited to a privileged few, especially when government funds and a social justice mandate are at play. “If the people that are actually going to benefit from the program do not know about the program, you’re not really doing anyone a service,” says Addo.

Kristel Manes, director of Innovation Centre at Innovation Guelph, has spent the last three years researching the experiences of women entrepreneurs in southwestern Ontario. The research led to the creation of The Rhyze Project, a women’s entrepreneurship program that focuses on building self-esteem and self-confidence as well as the development of a soon-to-be-released training tool that will better equip mentors to serve clientele at business and innovation centres. She says outreach can be difficult and is a “never-ending job,” but advises other innovation centres to follow her lead. She says Innovation Guelph connects with the community in genuine ways at all levels ranging from sitting on several organizational boards to being present at libraries, community centres, and cultural events. Still, she admits it’s “hard work trying to get to everybody.”

Beyond outreach, making accelerators more accessible means making more options available that consider the varied experiences of young entrepreneurs, Addo says. For example, many accelerators she has come across require a full-time commitment, something she hasn’t been able to make due to her job. Or too often, incubators focus on developing tech businesses, like Ontario’s youth accelerator business program. “What happens if I’m not doing tech?” she asks.

Increasing accessibility also means having women of colour represented among the facilitators, programmers, and administrators of these initiatives. Lamoi, a 33-year-old spoken word artist and founder of Signature of a Mango jewellery from Brampton, Ont., says the number-one way to ensure engagement from women of colour is to have them at the helm of creating and delivering the programs. “We have a whole different life experience, even if we don’t all come from the same place,” she says. “The experience of non-white women is so completely different and especially now at a time of extreme racial tension and micro-aggressions.”

Creating Safe, Supportive Spaces

It’s this sentiment—that representation matters in incubation spaces—that Chivon John saw manifest when she founded Secrets of a Side Hustler (SOSH). It’s an organization that supports people who start and grow businesses while working full-time, a type of entrepreneurship increasingly popular among young people, according to Julia Dean CEO of Futurpreneur (formerly Canadian Youth Business Foundation). John says that about 90 per cent of the audience at her events are women of colour. She did not intend that when she started out, but she’s very proud her organization has drawn out this demographic. She attributes it to the fact that other women of colour likely gravitate to what they identify with. Someone who looks like them and may share a similar story is a rare occurrence in traditional entrepreneurial spaces. “I’ll go to lots of events and I don’t see as much of the diversity,” says John. When she recently travelled to Hangzhou, China, as one of 30 Canadian delegates selected to take part in the annual G20 Young Entrepreneurs’ Alliance Summit, she was the only woman of colour in the group. “There’s lots of great things that happen within the city, but it’s disappointing when you go and you don’t see somebody that looks like you,” she says.

Lack of representation led 27-year-old Alicia Bunyan-Sampson to create the Gyalcast Academy, a new six-week workshop series for young Black women who identify as creatives or entrepreneurs and live in one of Toronto’s underserved or “priority” neighbourhoods. She says it was imperative to build a space that acknowledges the layered experience of being a Black woman, and she grew “tired of waiting for a white guy who doesn’t understand us anyway to make it.”

From what she has seen, most entrepreneurial spaces are not created with women of colour in mind. She is often left thinking, “How are you running a community program for young entrepreneurs and not offering free tokens or food or child care? Why do I have to navigate through sexism and racism in a space that you claim is for me? Why is this space/resource adding more stress to my already stressful life with these unrealistic expectations of me?”

These are all factors she considered when building Gyalcast, a program that combines skill-building and mentorship with a self-care component. The world does not encourage Black women to be soft with themselves, Bunyan-Sampson explains. As someone who struggles with the application of self-care in her own life, she felt it was essential to include it within the program.

Janelle Scott-Johnson, a 24-year-old creative photographer and solopreneur who participated in the academy, says she found the self-care component especially effective. It’s something that was absent from a mainstream campus-linked accelerator she previously attended. Participants have time to speak openly about any negative issues they are facing, she explains, and share tips on how to navigate them through things like meditating or keeping a journal. It’s something women of colour need, Scott-Johnson says. “There are not a lot of spaces like that where you can actually talk about things that are bothering you and have a room full of people that won’t judge and will teach you ways to care for you and your mental and your physical [well-being].”

Gyalcast was an “amazing space” that Scott-Johnson felt she belonged in. “I feel like the people who started that up, they can relate to the participants,” she says. “They are women of colour, they are Black, they’ve been in my position trying to start up, and they provided the key things we need.”

This was intentional in the program’s design. “We need to create our own spaces to ensure they are safe,” Bunyan-Sampson says. “Spaces organized by people that look like you are important, and it’s something not a lot of people talk about.”

Moving Forward

When I look around my networks, I see no shortage of young women of colour with entrepreneurial ideas, spirit, and passion. Many of them have already started one or more businesses. What I do see is a shortage of capital, resources, support systems, and opportunities for growth and sustainability. Ontario is putting resources into youth entrepreneurship, and even women entrepreneurs, with the Women Entrepreneurs Ontario Collective, which is putting forth recommendations on how the province’s economy can be strengthened through strategy focused on women entrepreneurship and innovation.

But it’s important not to overlook systemic racism and implicit bias, and their impacts on the startup space, by taking a one-size-fits-all approach to entrepreneurship. It’s also important to remember that it’s not as simple as throwing funding at underserved communities. As Scott-Johnson cautions, ingenuity is easy to detect. Organizations chasing after funding dollars and setting up programs in communities that facilitators don’t know well simply doesn’t work. “It’s hella obvious when someone’s heart is in it and when it’s not,” she says.

Though the research is non-existent on young racialized entrepreneurs in Canada, we can combine anecdotal accounts with studies from the United States to arrive at some conclusions about possible solutions to this complex problem.

The large incubation spaces that are currently receiving serious money to help enterprises scale up need to improve outreach and access to underrepresented groups such as young women of colour. The key to this is increasing the number of women of colour in leadership roles within these organizations and structures. Remember, representation matters.

At the same time, the government needs to consider allocating funds to support the work that’s already being done by organizations such as Secrets of a Side Hustler and Gyalcast Academy, which are already effectively engaging this demographic. Ontario seems to be doing a little bit of this with its Strategic Community Entrepreneurship Projects program, which offers funding, resources, and training to people 15 to 29 years old starting a business through partnerships with community organizations. Some have specific service mandates, such as the Bimaaji’owin Anonidiwin project in Thunder Bay focused on Aboriginal youth, or the Vulnerable Somali Youth Entrepreneurship Program in Toronto’s Etobicoke area. It’s this type of demographic-specific approach that is more prevalent in the U.S.

Work also needs to be done to bridge the gap between small and large startup spaces. Manes told me that part of Innovation Guelph’s outreach strategy involves being known amongst referral sources, mainly professional services for small business owners (lawyers, accountants, insurance providers). Why not have grassroots, community-specific incubation spaces partner with larger accelerators and incubators and referring participants, sharing resources, and exchanging knowledge?

Emily Mills, founder of How She Hustles, a network of 5,000-plus diverse, social media–savvy women who “hustle,” however they define that word, is positive that there is much to be gained on both sides. A serial connector of people, Mills is interested in figuring out a way to create a meeting of the minds, a space where an older white professional woman can meet with a young racialized entrepreneur and learn from each other. Young women may yearn to understand the business world, she says, while older women may benefit from diversifying their network to remain relevant, find talent, and develop new ways of doing business. “There is a benefit if those two worlds can come together.”


Related Reading: “Not Your Incubator’s Entrepreneur (And That’s Your Loss)” by Priya Ramanujam