December is perhaps one of the most joyful, festive months, and after the year we’ve all had, we could certainly all do with some more joy. It’s time that can be spent with the family or loved ones, or a chance to reflect on what has passed and dream up what has yet to come. It is a season of love, hope and relief.
With these themes in mind, we have curated our last Rabble Roundup of 2021. Our selections reflect on what we’ve been through this past year, people who have stood up and spoken out, and what is possible when we are hopeful together.
Victory: Canada bans conversion therapy
December 1 was a big win for the LGBTQ2+ community in Canada, as the country finally legally banned conversion therapy—a violent and discredited practice of changing people’s gender identities and sexual orientations—passing Bill C-4 by unanimous vote.This rabble.ca article shares why the new legislation is especially important for survivors of conversion ‘therapy’.in light of the trauma and suffering it wrought.
Taking on Amazon
This rabble.ca podcast episode shares the story behind the Make Amazon Pay protests that saw over 1 million employees worldwide mobilize in demonstrations against the company on Black Friday last month. It shows us what’s possible when we organize, call out exploitation and demand accountability.
Publisher’s note:rabble.ca is a 20-year-old, Canadian, award-winning, independent, community-driven media outlet. Among the first digital journalism organizations in Canada, and the first to incorporate as non-profit, rabble.ca has been at the forefront of reporting on national politics with a progressive lens that centres on issues of social movements, of labour, and of grassroots activism.
Maybe that’s because I was a Canadian toddler, rather than American, or was just too young — but opening to the first story in Everything On (The) Line: 20 Years of Social Movement Stories from rabble.ca I am transported back by the moving words of Monia Mazigh and Barâa Arar, mother and daughter of Maher Arar, a Syrian-Canadian who was arrested on September 26, 2002.
This transportive ability — to travel back in time and to live something you have a different memory of — is the primary accomplishment of rabble.ca’s compilation of stories from the last twenty years.
rabble.ca is an independent, nonprofit award winning left wing media outlet with 1M unique readers annually worldwide, based in Vancouver (original territory of the Musqueam, Squamish, and Tsleil-Waututh nations). They aim to extend and amplify the work of social movements and front-line activists in Canada.
Everything On (The) Line is a collection of stories, but also the fossilized voices of journalists and activists during high-intensity moments in Canadian politics. Editors S. Reuss and Christina Turner have unearthed articles from rabble’s archives which capture the concerns and opinions of the activists, feminists, and fighters before us —concerns that still exist today.
The articles speak from Indigenous rights to climate change; personal accounts of protests and violence; outrage and critique for the government. The collection focuses on the personal lives of Canadian citizens impacted by these threats, while also panning out to inspect the governments of the early 2000’s, tying traumas from the violent injustices occurring around the world together: uniting pain but also hope across two decades.
The aim of the collection is not only to celebrate the twentieth anniversary of Rabble, but to allow the past and present to converse; articles from 2001 in tandem with essays from 2020.
It is an opportunity for readers to “reflect on the social movements that challenged capitalism, racism, settler colonialism, and patriarchy over the past two decades.” (5)
Readers hear the personal stories from Monia Mazigh and Barâa Arar, to personal accounts of when Black Lives Matter Toronto turned the Pride Parade into a protest. Words from protestors of the G8 Summit burn with anger still, 19 years later.
In her piece “What Do We Want and Where Are We Headed?” Pamela Palmater expresses how “ultimately, we want to be free to govern ourselves as we choose; free to enjoy our identities, cultures, languages, and traditions; free to live the good life as we see fit.” (129) This desire for freedom and respect echoes throughout the twenty-four pieces in the book.
Anger and fear and distrust bubble up within these essays.
Amber Dean writes about attending Robert Pickton’s trial in 2007 for the murders of Sereena Abotsway, Mona Wilson, Andrea Joesbury, Marnie Frey, Brenda Wolfe, and Georgina Papin — asking how colonization can be over when the violence persists?
Michael Stewart picks apart the Harper government’s inability to “cope with the tender, patient, ironclad solidarity of Indigenous people in Canada.”
Murray Dobbin asked in 2009 how the government would face their denial and complacency in the face of crisis.
All are systemic issues still present today; the final section with pieces from 2015-2020 carry ghostly echoes of the first section from 2001-2005. This disturbing parallel calls for transformative justice, addressed by Walters and Zellars in their 2020 essay on abolishing the police and collective care. They call this turbulent time an “[opportunity] for reflection and growth [which] must be central to our abolitionist imaginings” and to “have the courage to dream, try, fail, try again, and fail better.” (173)
The collection also contains new essays from esteemed writers such as Nora Loreto. In her piece “Real Change Meets Radical Tactics” Loreto traces the resurgence of feminist action in recent years, raising the point that “for what remains of the mainstream feminist movement, the dominant frame is still firmly white. Whiteness obscures the fact that women do not experience systemic violence in the same way. It creates a tent so large that feminism becomes a matter of self-identity […] feminism has become slippery and toothless.” (145) This comment spoke to me as a reader, as a feminist, and as a member of LiisBeth, because whiteness is a barrier in the feminist organizations I see and participate in.
LiisBeth’s masthead is primarily (some queer) white women; “Everything On (The) Line” was compiled by two white women; LiisBeth partners with rabble.ca’s, putting together a monthly roundup. A white, queer woman is writing this review, the last in a funnel of white voices.
That being said, 35 per cent of LiisBeth’s contributors are women of colour and over 50 per cent of the articles written in the last year featured enterprises and projects founded or operated by women of colour, queer women and trans folk.
When rabble.ca was founded, a UNECE study found 40 per cent of journalists in Canada were women, and 97 per cent of journalists across all media were white, according to a study done by Laval University in 2000. This statistic from Laval University, as well as the point that there was (and still is) no current study to compare this data to, was mentioned in a rabble.ca piece in 2016 by Joanna Chu titled “The face of Canadian Journalism is still white — and it’s time to push back.”
The collection spurs questions and invites reflection not just on the state of our world, but also journalism — those who wrote before us and how future writers will curate, cultivate and uplift all voices.
It’s an opportunity to see how far we have come, but also look at where we still need to go.
Everything On (The) Line is not perfect, because history is not perfect. What we glean from these reverberations of rallying voices is that the next twenty years should be equally as action-packed, as fueled by the desire for change. We should read about and reach for change, as the voices of rabble.ca have.
The fifth section of the collection is titled “Activism and Indie Media: Pasts and Futures”, where publisher Kim Elliot and Mathew Adams call rabble.ca a bridge for the social movement, and reflect on how the launch of rabble.ca in 2001 gave them the focus of “[amplifying] the voices of resistance struggles and movement-focused news.”
Hopefully, Everything On (The) Line can be the bridge to the past that lays the foundation for the next twenty years of rabble.ca.
Question #2: Who led the fight to get abortion legalized in Canada in the 1980s, while serving as president of the National Action Committee on the Status of Women (NACS), the feminist lobby group that represented more than 700 women’s rights groups across Canada and, from 1971 to 2007, successfully pressured the government to take action on daycare, birth control, women’s right to choose, maternity leave, family law, poverty, racism, women’s equality in Canada’s Charter of Rights, and violence against women—to name just a few issues?
Question #3: Who is Canada’s Gloria Steinem? Okay, that’s not an entirely fair question as we like to think Canada has a few. But, on top of authoring seven books, hosting a prime-time TV show, and writing countless articles about the women’s movement and social justice, this woman also co-founded rabble.ca, Canada’s largest independent, alternative news outlet and discussion site, and served as its publisher?
Well, I can tell you that Judy Rebick is a woman who not only shows up when she’s needed—she gets there early. She was already waiting for us at The Pilot tavern, a hangout for writers, musicians, and artists since Toronto’s Yorkville hippie days in the 1970s. Gordon Lightfoot performed with Bob Dylan here. It’s also steps away from the Toronto Reference Library, a place where writers spend a lot of time.
When I arrived, Rebick looked up. Though we had never met, we recognized each other immediately. Her stance, head of thick but now graying curls, and iconic glasses gave her away. Rebick greeted me with a big “in solidarity” hug. LiisBeth’s associate editor Lana Pesch, rushed from her day job, as eager to meet this feminist icon as I was, joined us soon after.
We quickly ordered coffee and lunch so that we could get down to talking without further interruptions. Rebick, now 73, was as keen to know about us as we were her. We shared histories and some great stories, then I shifted the conversation to a topic we came to learn more about: growing a sustainable media outlet in a time of turmoil for media enterprises in general.
Judy Rebick on Idle No More
I asked her what we, as feminist changemakers and publishers, could learn from her experience both as a long-time feminist journalist and as a co-founder/publisher/editor of rabble.ca, an alternative online publication (launched 2001) and now one of the country’s most successful, attracting 800 members, two million page views, and 350,000 unique visitors per month according to Google Analytics.
Specifically, for LiisBeth and our readers, I wanted to know the path to rabble.ca’s success. How did it ever get off the ground and survive this long, without a major foundation footing bills, angel investors or sponsors, or even a paywall?
Rebick told us that she and her co-founders were convinced that Canadians were frustrated by the mainstream press extolling neoliberal narratives. They wanted and deserved an alternative point of view on current issues and events. So Rebick and friends created a plan and hit the road to find funding. In one year, they raised $200,000 in startup funding including $120,000 from the Atkinson Foundation along with funds from some 18 unions—enough to code and launch rabble.ca.
Seventeen years later, Vancouver-based rabble.ca now generates approximately $350,408 in revenues, of which $121,000 (34.8 percent) come from reader donations. Income from sustaining partners (unions) represented another 50 percent while 14 percent comes from grants and various sponsorships. While the site promotes its advertising utility, less than 1 percent of its revenue comes from ads.
Rebick explained that unions backed rabble.ca as the publication offered a way for the left to connect and unions to connect with their constituents about ideas, critiques of policy, and economic analysis that the mainstream media largely ignored.
The idea of an online newspaper and participative forum for readers was totally rad at the time. That was early-stage internet and way before Facebook or Google.
Since its launch, some 90-plus independent news and magazine channels have appeared, and none have readership figures as high as rabble.ca yet. In Canada. But as Rebick filled us in on rabble.ca’s journey—the type of stories they chased and how—we were reminded how critically important alternative media is to any functioning democracy. Such media organizations hold political and business leaders accountable, bring new business models to light and offer an outlet for ideas of alternative world–making.
We were also reminded that financially sustaining an alternative indie media enterprise is a little like figuring out how to keep a fish alive and healthy out of water. After all, how do you challenge the status quo if you’re trying to raise money from people who benefit from systemic inequality?
Rebick certainly got us thinking, because at LiisBeth, we have similar values and face many of the same challenges as rabble.ca. We believe passionately that feminist entrepreneurs can change the world. We have faith in the idea that grassroots storytelling and discussion opportunities matter. And we dig deep to figure out what it takes to create, grow, and leverage a sustainable, social justice–forward digital media enterprise in today’s world.
Rebick believes that technology-enabled movements, aided by aligned alternative media outlets, are transforming power. Social movements—not governments, lobby groups, or corporate social responsibility initiatives—are correcting the course, exploding our ability to imagine new worlds, advance democracy and human rights, and force action on climate change. Rebick explained how different recent tech-enabled protests such as Arab Spring, Idle No More, and Occupy were to the anti-globalization rally in Quebec in the late 1990s. And she should know. She was there. On the ground. Involved in it all.
And suddenly, it was 2 p.m. Rebick was in demand again, at another meeting. She signed my copy of Ten Thousand Roses, the book she wrote on the making of a feminist revolution, and graciously rushed out.
Lana and I lingered, talking about how our conversation with Rebick was like getting drawn into an incredible living book on Canadian feminist action and social progress. The entire meeting was so engrossing that we completely forgot to document the occasion. No group selfie or even a picture of Judy. And we are a social media organization, with an online magazine and newsletter!
How will anyone ever recognize this incredible feminist icon? Chagrined, we took a picture of the chair she sat in.
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