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Categories
Activism & Action Our Voices

“Buying Black is Political”

Picture of the CEO and Founder of BLACK FOODIE, two black women in food
BLACK FOODIE CEO, Elle Asiedu (left) and BLACK FOODIE founder, Eden Hagos (right)

When the Black Lives Matter movement inspired protests around the world in response to the murder of George Floyd, the online platform BLACK FOODIE gained a ton of new followers. The founder of the popular website and social media force, Eden Hagos, attributed it to non-Black people looking for ways to engage with and uplift the Black community. “There was a shift that started happening in the marketing world,” she says, “they could no longer ignore us, and they were being held accountable for the way that racism seeps into their campaigns and their ways of recruiting influencers. The community that I had built and the voices we had in this space started to be sought out by people.”

Hagos started BLACK FOODIE after experiencing racism at a restaurant during her birthday dinner in 2015. The incident led her to reevaluate her own assumptions about Black food and eating African food in public. “I was upset that I wasn’t treated with respect, and that there were a lot of assumptions made about my group because we were Black,” she says. “But, I was also reflecting on my own thought process. I wasn’t really proud of my food and cuisine.”

She launched BLACK FOODIE on the first anniversary of that racist incident, with the goal to celebrate Black food culture and show the many ways in which the diaspora is connected through food. The site features their own original recipes, food content and promotes Black businesses and restaurants. Its aim is both to educate and entertain.

Since its launch, BLACK FOODIE’s Instagram account has amassed more than a hundred thousand followers around the world. Hagos says it’s become “a platform for other creators and other Black chefs and restaurant owners to share their stories and their recipes with the world.”

During quarantine, Hagos and her BLACK FOODIE team (herself as creative director and owner; CEO Elle Asiedu; and a roster of freelance creatives) cooked up their dream project: the BLACK FOODIE Battle, a fun take on classic cooking competitions on TV. The video series (for now, it lives on BLACK FOODIE’s YouTube channel, website and Instagram) invites home cooks, pro chefs and foodies to compete using ingredients that “would never be featured on Food Network, like okra and collard greens.” Every episode centres around an ingredient— recently coconut and sweet potato – and participants use the featured ingredient in any recipe they’d like and BLACK FOODIE followers vote on their favourite. Winners’ recipes are posted on BLACK FOODIE’s website.

This past September, Hagos and her team hosted their first-ever BLACK FOODIE Week in Toronto. Each day of the event, a different local Black chef, restaurant or entrepreneur was featured on BLACK FOODIE’s Instagram feed. The team also hosted cook-alongs, drink and learns, and panel discussions with Toronto food insiders.

Such events forge connections between community and Black-owned businesses, an important goal for Hagos. Restaurants are more than just places to eat, she says, they’re like community centres, places for people in the diaspora to connect to their homeland and culture. “You can feel at home and you can get a taste of home. My parents had an Ethiopian restaurant, and that was a place where a lot of the Eritreans and Ethiopians in Detroit and Windsor could come and get a taste of home.”

Of course, home comes in many flavours given the vast diaspora, and Black Foodie strives to contextualize discussion of food to highlight the different cultures that exist and educate people outside of those communities. “It’s necessary because we’re not a monolith,says Hagos, “There’s so many different cuisines that exist within black culture and so many different experiences and religions, and just all of these things that affect the way that we eat.”  A listicle is not enough to represent it all, she says, “And that’s where we were coming in.”

For years, Hagos supplemented her income with side hustles while working on BLACK FOODIE as a passion project. Then came 2020 and the resurgence of the Black Lives Matter movement. Suddenly, marketers and brands wanted to collaborate with BLACK FOODIE, in partnerships and ad campaigns. The BLACK FOODIE Battle show, for example, recently got a branded boost from Guinness.

BLACK FOODIE CEO, Elle Asiedu (left) and Black Foodie founder, Eden Hagos (right)
A picture of carribbean food plate called Ful

Ethiopian-Style Ful

A Eden Hagos Family Recipe.

A popular dish across the Middle East and Africa (especially Ethiopia, Egypt, and Sudan), ful is a popular protein-packed stew with lots of potential. The base of the dish is created with red onions, tomatoes, and garlic which are cooked down before fava beans are added in with various spices. Together, these ingredients deliver a rich and spicy umami flavour that leaves you feeling satisfied and energized.

” Every family recipe is different, but here’s the one that we love in my house for breakfast. I hope it becomes part of your morning routine too!”–Eden Hagos

1

Ingredients:

For the ful
  •  1 Can of fava beans, drained
  •  1 tsp Garlic, minced
  •  1 tsp Cumin
  •  1 Large tomato, diced OR 3tsp of crushed tomatoes from a can
  •  ½ Jalapeno pepper, minced
  •  1 Small onion, minced
  •  ½ cup Water
Toppings for the ful
  •  ½ Red onion, diced
  •  2 tsp Berbere spice
  •  1 Small tomato, diced
  •  ½ Green bell pepper, diced
  •  2 Boiled eggs
  •  2 tsp Olive oil
  •  2 tsp Yogurt or sour cream

2

Directions

1. Empty and drain the can of Fava beans into a bowl.

Crush the beans roughly with the back of a wooden spoon and set aside. Alternatively, you can add the whole beans to the stew and crush them together with the garlic-tomato mixture — it’s up to you.

2. Saute the diced onions until they’ve softened. Then, add the cumin, garlic, and crushed tomatoes.

Stir the mixture together until well combined.

3. Add the fava beans (make sure they’re drained!) and stir them into the mixture, adding water if it becomes too thick.

If you like a spicier stew, add in the minced jalapeno peppers at this stage.

4. Simmer the bean stew on medium heat until it has reached the consistency you prefer. I typically cook it down for about 10 minutes.

Taste the stew to ensure that salty enough for you.

5. Scoop the ful from your saucepan/pot and spread it evenly in each bowl.

6. Top it with diced red onion, tomato, bell pepper, the boiled egg sliced in half, Berbere spice, olive oil, and a dollop of yoghurt or sour cream.

3

Serve the ful with your favourite flatbread for a complete meal.

Make sure you eat it with your hands for an authentic East African experience. Enjoy!

Since its launch, BLACK FOODIE’s Instagram account has amassed more than a hundred thousand followers around the world. Hagos says it’s become “a platform for other creators and other Black chefs and restaurant owners to share their stories and their recipes with the world.”

During quarantine, Hagos and her BLACK FOODIE team (herself as creative director and owner; CEO Elle Asiedu; and a roster of freelance creatives) cooked up their dream project: the BLACK FOODIE Battle, a fun take on classic cooking competitions on TV. The video series (for now, it lives on BLACK FOODIE’s YouTube channel, website and Instagram) invites home cooks, pro chefs and foodies to compete using ingredients that “would never be featured on Food Network, like okra and collard greens.” Every episode centres around an ingredient— recently coconut and sweet potato – and participants use the featured ingredient in any recipe they’d like and BLACK FOODIE followers vote on their favourite. Winners’ recipes are posted on BLACK FOODIE’s website.

This past September, Hagos and her team hosted their first-ever BLACK FOODIE Week in Toronto. Each day of the event, a different local Black chef, restaurant or entrepreneur was featured on BLACK FOODIE’s Instagram feed. The team also hosted cook-alongs, drink and learns, and panel discussions with Toronto food insiders.

Such events forge connections between community and Black-owned businesses, an important goal for Hagos. Restaurants are more than just places to eat, she says, they’re like community centres, places for people in the diaspora to connect to their homeland and culture. “You can feel at home and you can get a taste of home. My parents had an Ethiopian restaurant, and that was a place where a lot of the Eritreans and Ethiopians in Detroit and Windsor could come and get a taste of home.”

Of course, home comes in many flavours given the vast diaspora, and Black Foodie strives to contextualize discussion of food to highlight the different cultures that exist and educate people outside of those communities. “It’s necessary because we’re not a monolith,says Hagos, “There’s so many different cuisines that exist within black culture and so many different experiences and religions, and just all of these things that affect the way that we eat.”  A listicle is not enough to represent it all, she says, “And that’s where we were coming in.”

For years, Hagos supplemented her income with side hustles while working on BLACK FOODIE as a passion project. Then came 2020 and the resurgence of the Black Lives Matter movement. Suddenly, marketers and brands wanted to collaborate with BLACK FOODIE, in partnerships and ad campaigns. The BLACK FOODIE Battle show, for example, recently got a branded boost from Guinness.

BLACK FOODIE CEO, Elle Asiedu (left) and Black Foodie founder, Eden Hagos (right)

Hagos says some who reached out to BLACK FOODIE were only doing so for optics: “I think some people were trying to look woke and things like that.” But others took BLACK FOODIE seriously and wanted to pivot from how they worked in the past. “For so long, ‘Black’ was treated like a dirty word,” Hagos says. “Literally last year was the first time that I saw that start to change.” Brands now wanted to collaborate because they were Black, not in spite of it.

And that’s fine with Hagos, who has always viewed her work with BLACK FOODIE as deeply political and in conversation with Black activists. Being a Black woman in business is political. “Buying Black is political,” she says. “Building sustainable Black businesses and generational wealth and being able to be self-sufficient, that’s really important to me and so many others in the Black communities.”

While people have pushed back on Hagos’ insistence on Blackness in her work, she says emphasizing the Black in BLACK FOODIE is one of the most important parts of her work. “I probably get messages daily like, ‘why does it have to be Black, why is everything about race?’” she says. “It’s completely racist, it’s literally the fear of Black people doing well and having something of their own. And that’s why it’s important that I keep Black Foodie like this. We don’t actually have to fit in. We can support our own businesses, thrive, and be proud of our Blackness.”

When LiisBeth profiled Hagos at BLACK FOODIES’ launch five years ago, she envisioned events bringing together the community as well as a web series or television show. And now? “There’s going to be even more storytelling about food in video format, more programming like the BLACK FOODIE Battle,” she says. “Whether you’re a Black foodie or not, there’ll be something for you.”


Publishers Note: Fifth Wave Labs is Canada’s first feminist accelerator program for women in digital media. It is a year-round program offered by CFC Media Lab and its partners to support the growth and development of women entrepreneurs in the digital media sector in southern Ontario. All enterprise founders in the Fifth Wave community are selected for both their potential and commitment toward weaving intersectional feminist ideals of equity and social justice into sustainable and scalable business growth strategies. Fifth Wave Initiative is committed to 30% participation by members of underrepresented groups. The Fifth Wave is a LiisBeth Media partner and ally. Interested? Apply here.

A picture of carribbean food plate called Ful

Ethiopian-Style Ful

A Eden Hagos Family Recipe.

A popular dish across the Middle East and Africa (especially Ethiopia, Egypt, and Sudan), ful is a popular protein-packed stew with lots of potential. The base of the dish is created with red onions, tomatoes, and garlic which are cooked down before fava beans are added in with various spices. Together, these ingredients deliver a rich and spicy umami flavour that leaves you feeling satisfied and energized.

” Every family recipe is different, but here’s the one that we love in my house for breakfast. I hope it becomes part of your morning routine too!”–Eden Hagos

1

Ingredients:

For the Ful
  •  1 Can of fava beans, drained
  •  1 tsp Garlic, minced
  •  1 tsp Cumin
  •  1 Large tomato, diced OR 3tsp of crushed tomatoes from a can
  •  ½ Jalapeno pepper, minced
  •  1 Small onion, minced
  •  ½ cup Water
Toppings for the Ful
  •  ½ Red onion, diced
  •  2 tsp Berbere spice
  •  1 Small tomato, diced
  •  ½ Green bell pepper, diced
  •  2 Boiled eggs
  •  2 tsp Olive oil
  •  2 tsp Yogurt or sour cream
 

2

Directions

1. Empty and drain the can of Fava beans into a bowl.

Crush the beans roughly with the back of a wooden spoon and set aside. Alternatively, you can add the whole beans to the stew and crush them together with the garlic-tomato mixture — it’s up to you.

2. Saute the diced onions until they’ve softened. Then, add the cumin, garlic, and crushed tomatoes.

Stir the mixture together until well combined.

3. Add the fava beans (make sure they’re drained!) and stir them into the mixture, adding water if it becomes too thick.

If you like a spicier stew, add in the minced jalapeno peppers at this stage.

4. Simmer the bean stew on medium heat until it has reached the consistency you prefer. I typically cook it down for about 10 minutes.

Taste the stew to ensure that salty enough for you.

5. Scoop the ful from your saucepan/pot and spread it evenly in each bowl.

6. Top it with diced red onion, tomato, bell pepper, the boiled egg sliced in half, Berbere spice, olive oil, and a dollop of yoghurt or sour cream.

3

Serve the ful with your favourite flatbread for a complete meal.

Make sure you eat it with your hands for an authentic East African experience. Enjoy!

Related Reading

Black Foodie Turns The Table

Shoddy treatment at a restaurant inspired Eden Hagos not to stay home but to go big with her business ideas. She sees huge potential in the Black Foodie brand and envisions it evolving into a web series or television show in the future.

Read More »

Black Foodie Turns The Table

Shoddy treatment at a restaurant inspired Eden Hagos not to stay home but to go big with her business ideas. She sees huge potential in the Black Foodie brand and envisions it evolving into a web series or television show in the future.

Read More »
Categories
Our Voices

A Founder’s Story: The Making of LiisBeth

An illustration of birthday cake, liisbeth.com logo and Liisbeth women
Liisbeth.com celebrates it's fifth Year anniversary

I still remember the day we began, five years ago.

LiisBeth Media was conceived, like a lot of womxn-led enterprises, in a small meeting room with flip charts, markers, oodles of red wine and, in my case, two dear friends and enterprise midwives, Valerie Hussey and Abigail Slater. Each of us had started, operated and exited $2 million to $30 million+ enterprises, but I was the only one eager to plunge in and do it all over again.

Nursing a deep, still-fresh founder-exit wound that ignited an unabiding, to be honest, rage, I needed to do something about its root cause – patriarchy.

That was 2014. And Canada’s testosterone-drenched economic policy and entrepreneurship ecosystem did not give a hoot about womxn entrepreneurs — especially those working to create stable, livable, care-centered enterprises.

In my experience, those boys’ club policies often promoted entrepreneurship to women as an escape from careers full of barriers, which, in effect, lured thousands of women out of salaried jobs with benefits and deeper into precarity, poverty and trauma without  support. 

Yes, I was lit. And fortunately not alone in my concerns. 

I asked myself and others: What can we do to change things? Why was feminism absent in discussions about women’s entrepreneurship? How could we better support those working to dismantle and re-build the system anew-so it could work for everyone?  What could mobilizing look like? What stories do we need to tell to change the narrative?

I attended numerous women’s entrepreneurship events that year to float a few radical ideas, but it seemed that attendees were there, mainly, to toke on empowerment energy. Few wanted to talk about how systems of oppression held us back. Collective action to change those systems was never on the agenda. When brave folks did stand up to at the mic to share stories of trauma, racism, sexism, or other injustices experienced as entrepreneurs, speakers — usually financially successful, privileged white women — would smile and tsk “If I can do it, so can you!”

I left these events provoked.

If so many of us were struggling, surely it wasn’t because women were “not as good as men” but because the systems were designed by men and for men to succeed — not us. I believed a way to make these systems visible was to find what was growing, unnoticed, between the cracks and hold those things up for all to see: nonconforming enterprises founded by solutionaries producing wildly imaginative, generative ideas.   

Ureka.

In May 2015, LiisBeth Media signed with Merian Media led by Meredith Brooks, to build the LiisBeth site.

A picture of merian media's first website proposal for LiisBeth.com in 2014
Merian Media Branding Proposal for LiisBeth.com, 2014.

We published our first article on the site in Sept 2015. As the founder, I wrote it. Because we didn’t have the money to pay someone else to do it- yet.

We launched officially in February with writer and editor Margaret Webb serving (we joke) as the curmudgeonly “Lou Grant” to my overly optimistic “Mary Tyler Moore”. Webb also wrote the first feature, Diversity Rules, about Rajkumari Neogy, a Silicon Valley diversity consultant.

A picture of Lou Grant and Mary Tyler Moore talking about a story
LOS ANGELES - SEPTEMBER 16: THE MARY TYLER MOORE SHOW episode: 'The Good-Time News'. Initial broadcast: September 16, 1972. (From left): Ed Asner (as Lou Grant) and Mary Tyler Moore (as Mary Richards). (Photo by CBS via Getty Images)
colourful illustration of six feminist women gathering to talk and work

What have we learned?

You can read about some of what we learned in How to Be in Right Relationship With Your EnterpriseSlow Growth, and Gaslighting. But here’s another thing or two we picked up along the way. 

1

Businesses are essentially communities. You can’t do anything without community. And communities are relationships—not just easy ones but hard and painful ones. Without these relationships, there is no business, no resilience and certainly no fun. 

2

Most of the value an enterprise creates can’t be accounted for on a balance sheet. We have yet to figure out how to value connections, care of people, strengthened ecosystems. Society continually undervalues –even forgets the feminist economy and activist work.

3

A micro-business (defined by Stats Canada as one that employees 1-4 people) is not only a real business, it’s a challenging, complex Starship Enterprise. The average micro-entrepreneur leverages a tech stack of 20 to 30 apps, programs, and platforms, without an IT department. If you are in business right now, you are a freakin’ genius. So many womxn entrepreneurs are told scale is king—when really complexity deserves the crown. 

4

Making money is fair game—but capitalism serves straight, white patriarchy and actively undermines the rest of us. Still many founders and business womxn of all backgrounds vote for Trump-like policies — minimum wage cuts,tax breaks, environmental deregulation, policies that enable exploitation of others – because they believe it’s good for business. It’s not. It’s good for the 10 percent. For the other 90 per cent to thrive, we must work every day to re-invent entrepreneurship and government to serve a coming post-capitalist, post-patriarchal world in which we can all flourish. 

5

Society and governments need healthy enterprises. Enterprises need healthy societies and healthy governments. Capitalism would have you believe government is the enemy. A lot of business leaders talk anti-government shit. Their neoliberal, winner-deserves-all rant is self-serving. We have witnessed supportive and impactful collaborations between government and womxn entrepreneur organizations at all levels. It’s all about a new social contract.

In my experience, those boys’ club policies often promoted entrepreneurship to women as an escape from careers full of barriers, which, in effect, lured thousands of women out of salaried jobs with benefits and deeper into precarity, poverty and trauma without  support. 

Yes, I was lit. And fortunately not alone in my concerns. 

I asked myself and others: What can we do to change things? Why was feminism absent in discussions about women’s entrepreneurship? How could we better support those working to dismantle and re-build the system anew-so it could work for everyone?  What could mobilizing look like? What stories do we need to tell to change the narrative?

I attended numerous women’s entrepreneurship events that year to float a few radical ideas, but it seemed that attendees were there, mainly, to toke on empowerment energy. Few wanted to talk about how systems of oppression held us back. Collective action to change those systems was never on the agenda. When brave folks did stand up to at the mic to share stories of trauma, racism, sexism, or other injustices experienced as entrepreneurs, speakers — usually financially successful, privileged white women — would smile and tsk “If I can do it, so can you!”

I left these events provoked.

If so many of us were struggling, surely it wasn’t because women were “not as good as men” but because the systems were designed by men and for men to succeed — not us. I believed a way to make these systems visible was to find what was growing, unnoticed, between the cracks and hold those things up for all to see: nonconforming enterprises founded by solutionaries producing wildly imaginative, generative ideas.   

Ureka.

In May 2015, LiisBeth Media signed with Merian Media led by Meredith Brooks, to build the LiisBeth site.

A picture of merian media's first website proposal for LiisBeth.com in 2014
Merian Media Branding Proposal for LiisBeth.com, 2014.

We published our first article on the site in Sept 2015. As the founder, I wrote it. Because we didn’t have the money to pay someone else to do it- yet.

We launched officially in February with writer and editor Margaret Webb serving (we joke) as the curmudgeonly “Lou Grant” to my overly optimistic “Mary Tyler Moore”. Webb also wrote the first feature, Diversity Rules, about Rajkumari Neogy, a Silicon Valley diversity consultant.

A picture of Lou Grant and Mary Tyler Moore talking about a story
LOS ANGELES - SEPTEMBER 16: THE MARY TYLER MOORE SHOW episode: 'The Good-Time News'. Initial broadcast: September 16, 1972. (From left): Ed Asner (as Lou Grant) and Mary Tyler Moore (as Mary Richards). (Photo by CBS via Getty Images)

Valerie Hussey gave our early editorial heft with a series of columns about feminist business values and practices, starting with “How to Embed Feminist Values in Your Company.”

Then, came November 8th, 2016. I was at an election party along with 30 or so others, at the home of SheEO founder Vicky Saunders. We drank champagne around a life-size cardboard figure of Hillary Clinton, excited to see the first woman elected US president. By eleven o’clock, we realized the unthinkable – the US would elect, instead, a serial harasser of woman, a racist, and neofascist.

What I loved about the U.S, having lived and worked in New York for three years, was its relentless thirst for firsts. That night, I went home early and cried.

Yet, almost immediately, the smoldering feminist movement caught fire across North America. The next morning, many of the 300-plus women entrepreneurs attending the first-ever national women’s entrepreneurship conference in Toronto showed up wearing black. We were in mourning, and we compelled the mistress of ceremonies to interrupt the proceedings and acknowledge the catastrophic psychic blow we had just suffered. In January, more than one million marched on Washington to denounce Trump; 60,000 came out to the women’s march in Toronto; similar protests erupted around the world. Feminist blogs, newsletters, and TV shows sprang up.

If there was a positive to Trump’s election, he dragged into the open what we had struggled to see. He embodied what we needed to fight against: systemic sexism, racism, colonialism, exploitive capitalism – and on and on.

LiisBeth was born into this tumultuous year — the timing could not have been better on some levels. Yet, surviving as a reader-supported feminist media venture has been far from easy.

Growing Between the Cracks

For two years, the magazine was the result of kitchen table efforts by mostly myself, Margaret, and a handful of contributors – Priya Ramanujam, Mai Nguyen, and others we recruited. We survived on part-time hours, volunteer time, a DYI ethos, and $3-per-month subscriptions.

The magazine grew-slowly like a spindly pine tree seedling determined to survive on a patriarchal and capitalism scorched earth.

In 2018, we invited writer and video producer Lana Pesch to our team as newsletter editor and contributor – she’s now host of the The Fine Print in our new online community, the Feminist Enterprise Commons.

It’s 2021—Where are we now?

The conversation about women’s entrepreneurship in Canada has made meteoric gains in the last five years. LiisBeth worked towards sustainability hand in hand with these organizations: SheEO (2015), the Women’s Entrepreneurship Strategy (2019), the Women’s Entrepreneurship Knowledge Hub (2019), the Canadian Women’s Chamber of Commerce (2019), and countless grassroots women’s entrepreneurship support groups, networks and programs (some serving as consciousness raising groups), plus new women-led venture funds.

We jumped into action, writing about these new players and spaces – helping make them visible, amplifying their more radical voices. And together, we sharpened critical thought; forged allies; deepened intersectional thinking; shone a spotlight on bold changemakers; tackled social injustice; celebrated triumphs; collaborated and shared research; pushed each other to be better through debate and healthy conflict. We flexed muscle to show what women could bring to the table; raised a bit of rage; and found comfort in good old-fashioned grassroots sistering.  

This was feminist-led and feminist informed work.

Today, Canada’s diverse pluralistic one-million-plus women entrepreneurs have far more choices regarding funded, diverse programs and supports to help design, grow and sustain their ventures — on their own terms.

But the work is far from done. As American civil rights lawyer Florynce Kennedy said: “Freedom is like taking a bath. You got to keep doing it every day.”

The pandemic has made that clear, with women getting slammed.  Womxn entrepreneurs, a constituency growing at double digit rates, will have to rally and fight for new initiatives and policies to ensure the progress made over the past five years continues.

Back to LiisBeth

Today, LiisBeth Media has 30,000 unique annual readers (20 per cent ahead of last year), 2,800 newsletter subscribers, and about 10,000 followers on our various social channels. We have published more than 300 features and 70 newsletters since we started. More than 35 per cent of our articles feature Black, Indigenous or women of colour entrepreneurs (BIWOC); 40% of our articles are written by BIWOC journalists and writers. We pay our contributors above average rates in our sector and pay fast – in days, not months.

We have been top three finalists — twice — in the Canadian Digital Publishing Awards competition in the General Excellence category for small publications. We launched the Feminist Enterprise Forum (FEC), a new online community in 2020, and just invested in migrating to a new platform.  We achieved break even (on a five-figure budget) in 2020.

(Video: The way we were ….before COVID-19)

The fact that we are still here after five years puts us in a rare category for both startups and media: survivor. Now we are working towards the next stage: thriving.

We believe we can get there by adjusting our business model and deepening relationships with our allies, creators and diverse enterprise founders. We aim to be the go-to, womxn-led/owned media outlet for radical womxn entrepreneurs engaged in deep systems-change work.

Reflect, Recharge, Repeat

The world that lit the spark of LiisBeth is not the same world that LiisBeth Media now lives in.

As the founder, I am more certain than ever that we need to create fight for more support for safe, brave spaces for diverse womxn entrepreneurs, enterprise leaders, feminists, activists and critical thought leaders to tackle challenges ahead.

We must build a healthier, more just economy. This change won’t come from multi-national corporations designed to produce profits for shareholders, at the expense of everything else.

The change we seek will be driven by a plethora of diverse, connected communities supported by local livable, care-centered thriving small enterprises.

And we will be here to tell this revolutionary story.

Time to get back to work.

colourful illustration of six feminist women gathering to talk and work

What have we learned?

You can read about some of that in How to Be in Right Relationship With Your EnterpriseSlow Growth, and Gaslighting. But here’s another thing or two we picked up along the way. 

1

Businesses are essentially communities. You can’t do anything without community. And communities are relationships—not just easy ones but hard and painful ones. Without these relationships, there is no business, no resilience and certainly no fun. 

2

Most of the value an enterprise creates can’t be accounted for on a balance sheet. We have yet to figure out how to value connections, care of people, strengthened ecosystems. Society continually undervalues –even forgets the feminist economy and activist work.

3

A micro-business (defined by Stats Canada as one that employees 1-4 people) is not only a real business, it’s a challenging, complex Starship Enterprise. The average micro-entrepreneur leverages a tech stack of 20 to 30 apps, programs, and platforms, without an IT department. If you are in business right now, you are a freakin’ genius. So many womxn entrepreneurs are told scale is king—when really complexity deserves the crown. 

4

Making money is fair game—but capitalism serves straight, white patriarchy and actively undermines the rest of us. Still many founders and business womxn of all backgrounds vote for Trump-like policies — minimum wage cuts,tax breaks, environmental deregulation, policies that enable exploitation of others – because they believe it’s good for business. It’s not. It’s good for the 10 percent. For the other 90 per cent to thrive, we must work every day to re-invent entrepreneurship and government to serve a coming post-capitalist, post-patriarchal world in which we can all flourish. 

5

Society and governments need healthy enterprises. Enterprises need healthy societies and healthy governments. Capitalism would have you believe government is the enemy. A lot of business leaders talk anti-government shit. Their neoliberal, winner-deserves-all rant is self-serving. We have witnessed supportive and impactful collaborations between government and womxn entrepreneur organizations at all levels. It’s all about a new social contract.

Related Reading

When a Catalyst Becomes an Inhibitor

Catalyst Canada defends its choice to appoint another male bank CEO to be its board chair, saying leaving women’s advancement up to men who have a lot of people working for them is a good strategy. But is it? More importantly, has it worked?

Read More »
Categories
Activism & Action

How Do We Remake The World?

A flurry of COVID-19 related conference cancellations this week didn’t stop more than 600 women entrepreneurs and 93 speakers from attending the first SheEO Global Summit held in Toronto on Monday, March 9.

It was just too important to miss.

SheEO is an innovative, feminist-forward, Canadian-based initiative designed to propel women and women-identified entrepreneurs and their enterprises to the next level. Vicki Saunders founded the organization out of frustration with both the “women are just mini-men” approach of existing male-dominated startup programs, as well as her lived experiences as an entrepreneur and mentor. She decided enough was enough.

Prime Minister Justin Trudeau at the SheEO Global Summit for women entrepreneurs in listening mode. Photo: Dhalia Katz

“Everything is broken. What a great time to be alive.” –Vicki Saunders

The first SheEO event, just over seven years ago, consisted of just 10 entrepreneurs plus a handful of women mentors sitting on pillows in a circle in a small university meeting room. The plan was to meet once a week. During that time, participants shared their experiences, hopes and dreams in a space that acknowledged their experiences and authentic selves. They strategized, shared skills, collaborated. As a result, they made surprising, unparalleled progress in a short time. The experience was transformational for all who participated, including Saunders.

The next step? How to scale this experiment so that many more women leading businesses could access a support network that truly worked.

Today, SheEO operates in five countries with 70 more in the pipeline. It has funded 53 ventures (the average loan being $100,000 per venture) and, globally, it has more than 4,000 activators or mentors who also donate to the fund. Its work has been featured in mainstream press around the world.

What started as one woman’s conviction—that if systemically oppressed women entrepreneurs were unleashed from systems that were never built by them or for them, they could have significant impact on the growth, strength, and character of our economy (an estimated $150 billion in Canada alone) within five years—has turned into a global movement.

And that has led to serious government attention.

The opening day of the SheEO Global Summit attracted politicians and diplomats such as Prime Minister Justin Trudeau; Mary Ng, Minister of Small Business and Export Promotion; Elizabeth Dowdeswell, Lieutenant Governor of Ontario; and Isabelle Berro-Amadeï, Ambassador of France and Monaco.

From left to right, front row: Wendy Cukier, Ryerson Diversity and Inclusion Institute; Julie Merk, BMO; Mary Ng, Minister of Small Business and Export Promotion; Prime Minister Justin Trudeau; the Honourable Elizabeth Dowdeswell, Lieutenant Governor of Ontario; Ambassador Isabelle Hudon; Michelle Savoy, SheEO Activator; and Beth Horowitz, SheEO Board Member.

In 2018, the Canadian government committed to investing more than $2 billion in research, policy development, and support (The Women’s Entrepreneurship Strategy) for Canada’s estimated 1.3 million women sole proprietors, small business owners, and startup founders. In making the announcement, Prime Minister Justin Trudeau said, “It’s not just about the fact that we need the full participation of women in today’s economy. It’s also about the fact that women entrepreneurs bring forward fundamentally different solutions than male entrepreneurs.”

Join PK Mutch outside of the Liberty Grand for an interview with Minister Mary Ng about what’s next for the Women’s Entrepreneurship Fund (WES) and her thoughts on challenges facing women entrepreneurs in Canada. 

SheEO’s summit agenda delivered practical advice to women entrepreneurs on topics such as growing globally and building a productive relationship with your bank as well as action workshops where participants and SheEO founders collaborated on developing strategies to overcome current business challenges in real-time.

It also offered provocative sessions on feminist business practice, decolonizing systems, and emergent economies. The summit provided on-site child care as well as a quiet room to decompress, reflect, and decide what you need to leave behind so that it can no longer hold you back.

Dr. Dori Tunstall, Dean of Design of OCAD University: “Asking diverse peoples to dance to a white European, male, CIS, hetero, middle-class, able-body and -mind, Christian status quo (i.e. the power structure) is genocide to our spirits.”
A quote from CV Harquail, presenter of “The Feminist Economy” at the SheEO Global Summit, 2020.
Joy Anderson, founder of Criterion Institute: “We’ve privileged the finance world over the knowledge of the world. We need to get into a point where a diverse set of knowledge is included in our understanding of risk—and truly valued.”

The summit drove this home:

There are lots of traditional business conferences and neo-liberal incubator and accelerators led by patriarchal, privileged dudes (and a few like-minded women) who still believe their recipe for success is relevant, which is to focus on disruption at all costs and finding the next billion-dollar unicorn enterprise at the expense of all else.

But to collectively flourish, we need women and all women-identified entrepreneurs of all genders to flourish. We need women-identified leaders creating the next-gen powerhouses that are truly inclusive and capable of generating fair returns, fair wages, and strengthening community and planet. And we need organizations like SheEO Global Summit to challenge and blow up norms, narratives, and systems that might hold women back.


Related Reading

For the list of new 2020 Canadian SheEO ventures, click here.

https://www.liisbeth.com/2020/01/22/feminist-enterprise-commons-launches-looking-for-members-and-feminists-in-residence/

https://www.liisbeth.com/2019/10/29/how-can-we-collectively-build-a-better-future-for-all/

 

 

Categories
Activism & Action

LiisBeth’s #IWD2020 March Playlist: Marching On, Each for Equal

Image of rap star Haviah Mighty, black woman, singing.
Haviah Mighty wins the 2019 Polaris Music Prize for 13th Floor | Photo by HipHopCanada
 
Here are 10 new songs for us to march to on Sunday, March 8, for International Women’s Day. I believe that working towards equality is a balance between doing our own inner work and taking action in the world. We must be able to honour our pain and the learning we still need to do, and also look outwards to see where there is injustice in our communities and step forward proactively.

The artists below are each striving for equality in their own way, using their platforms and voices to help us all learn and grow. We are each here to contribute to that greater purpose. Let this #IWD2020 be an inspiration for us on how we can march forward, and what direction we are heading in.

Bikini Kill, “Girl Soldier”

Bikini Kill, known for pioneering the Riot Grrrl movement, was one of the first all-female bands in punk to speak out against abuse and misogyny. “Girl Soldier,” truly an anthem to march to, points to the irony of men fighting overseas when there is a war happening on our own homes against women, women’s lives, women’s bodies, women’s rights. Seen here in a live video from the early ’90s with “Turn Off Your TV” draped behind them, Bikini Kill inspired a revolution and called us all to action. 2020 sees them reuniting in a world that just might be ready for their message.

Haviah Mighty, “In Women Colour”

Brampton rapper Haviah Mighty made history in 2019 when she became the first female rapper to ever win a Polaris Prize. The opening track to her album, 13th Floor, cuts hard to the truth of how racist and misogynistic our world (let alone the music industry) still is. She tells her powerful story, how none of it could break her, and now as she breaks boundaries with her art, she is changing the landscape for Black women in this country.

Backxwash, “F.R.E.A.K.S”

Rising Montreal rapper Backxwash identifies as queer and a witch—two communities that have historically been broken through hateful, patriarchal culture. F.R.E.A.K.S is an anthem to all the incredible people existing in the margins of society who are changing our culture by showing up unapologetically. Historical change has always come from queer and marginalized communities, pushing the restricted boundaries of normalcy and redefining identity. Today we celebrate all the amazing freaks.

Riit, “qaumajuapik”

Riit, a Juno-nominated and rising artist from Nunavut, is an embodiment of the slow but real change beginning to happen in the music industry. Her Inuktitut lyrics and throat singing speak of her experience growing up in the Northern Territories, and the strength she has found as a woman through much of it. “qaumajuapik,” the first video from her 2019 album, landed her on many incredible shows and festival lineups, a massive hurdle for an artist living in such an isolated population. Making space for voices like Riit’s is the reason our individual actions matter.

Tei Shi, “Alone in the Universe”

Colombian-born singer Tei Shi often sings on themes of love and loss but her 2019 anthem “Alone in the Universe” is a song for us to march to. If there is a God, and if she is a woman, she’s dropping the ball, Tei Shi proclaims. She follows it by promising to speak up for the sake of others, where she hasn’t been able to speak up for herself. It’s a powerful reflection on the isolation of being a woman, and the importance of taking action on behalf of ourselves and others.

Lido Pimienta, “Eso Que Tu Haces”

Lido Pimienta returns this April with her first album following her 2017 Polaris Prize win, titled Miss Colombia. “Eso Que Tu Haces” depicts the magnificent colour, warmth, and dance tradition of San Basilio de Palenque, the first place of refuge for those fleeing slavery in the Colonial Americas. Her magnetic voice and storytelling has begged Canada for years now to be accountable to continued racism in the country, and this song is no different as she sets a boundary around what can be considered a “loving action,” and what is false.

Sudan Archives, “Glorious”

This video is Black Girl Magic personified as Brittney Parks imagines her own prayer to God in the style of old oral tradition hymns. Inspired by Aisha al-Fallatiyah, the first woman to ever perform in Sudan, “Glorious” prays for money, a foundation of life in our world. It is a stunning and raw nod to intersectional equality—if we want an equal world, we have to understand that it takes marginalized genders, races, and identities that much more effort to get what they need to survive in it.

Austra, “Risk It”

Austra returns this year with new music after four years when we last heard “Future Politics,” a plea for a more equal, utopian world. “Risk It” is a call to action that can be interpreted in our love lives, our political lives, or both (since there’s really no separation in the end, is there?). As we march to the beat of this song, we can contemplate risk as an essential part of growth and change. There are places where we all need to risk it in our lives in order to see equality grow in the world.

Black Belt Eagle Scout, “Indians Never Die”

This song is a beautifully haunting comment on our Earth and the Indigenous communities that have cared for it over many generations. Colonial violence is still painfully active and destructive in the 21st century, and we are each responsible for our part in ensuring that the land we live on and the individuals who continue to care for it do not waste away. Perhaps the physical earth can be part of our vision for equality, too.

Vagabon, “Every Woman”

Do not be deceived by the gentle strum of this song. In the lyrics lives a war cry, a proclamation that Laetitia Tamko is not afraid of the battle that women face every day to exist and be free. There is a solidarity in her lyrics as we understand the importance of every woman coming together in the name of equality. We may be tired, but there’s a ways to go still before we sit down.

Related Playlists

You can also find all our playlists on Spotify under LiisBeth.
https://www.liisbeth.com/2017/07/11/summer-reset-playlist-feminist-entrepreneurs/
https://www.liisbeth.com/2018/03/15/a-change-makers-playlist/

Categories
Activism & Action Feminist Practices

Homelessness: There’s An App For That

CG Chen, founder of Ample Labs (Photo: David Dines)

Working as a user experience designer at a tech company, CG Chen had done co-design workshops before, but this one was different. Around a dozen young people crowded into a small room at Sherbourne Health Centre in downtown Toronto, to share their experiences with homelessness. They appeared to be  between 16 and 30, identified as LGBTQ2IA, and participated in the health centre’s Supporting Our Youth (SOY) program that promotes wellness for at-risk youth. That day, they didn’t come seeking support, but to lend a hand—and to share their experiences so that Chen’s non-profit startup, Ample Labs, could improve an app to access services for the homeless.

Creating a trusting atmosphere for the youth living on the street took conscious effort. Chen met with SOY staff multiple times in advance to ensure the workshop was a safe space, anti-racist, and anti-oppressive. Then Chen got creative, handing out writing and craft supplies to those gathered around a large table, so they could express themselves authentically and on their terms.

They came from different backgrounds—some had lived in Canada for years, others had recently arrived as refugees—but they all shared a key concern when looking for a place to spend the night: safety. The participants told horror stories of ending up in shelters that weren’t LGBTQ2A friendly—and experiencing violence and trauma as a result.

During this co-design session and many others, Chen and her team of volunteers at Amble Labs also discovered that many initially facing homelessness turned to Google for help as they were often too ashamed to seek out in-person resources. But the Google results that came up were not very helpful. That was one of the main frustrations people in the sessions expressed—service agencies don’t actually involve or listen to the concerns of individuals experiencing homelessness.

Says Chen of Ample Labs’ venture to change that: “We bring the people that we build this product for into our process as much as possible so they’re part of building the solution with us.”

The result? Chen and her team learned that Toronto’s homeless population has high concentrations of people identifying as refugees, BIPOC (Black, Indigenous, and people of colour), and/or LGBTQI2A (particularly youth). So Ample Labs decided to focus on creating solutions for individuals between the ages of 16 and 35 who are at risk of or experiencing homelessness and come from diverse identities and situations. One of their first creations was ChalmersBot, a free web-based chat-bot that provides location-based information. You enter what you need—a warm meal, clothing, shelter—and ChalmersBot suggests a nearby resource. After what they learned at the SOY workshop, Chen and her team added a filter to ChalmersBot to identify resources that are LGBTQI2A friendly.

Chen describes working intentionally and directly in a co-design fashion with the homeless community as a feminist approach. The goal is to understand what the homeless need and empower them to contribute to solutions, so services created are actually used by the community. “It’s easy to identify as a feminist organization because with the app and in everything we do, we are trying to promote equality in this community that often times struggles with inequality.”

Could a Sandwich Start a Revolution?

Chen, now 27, can trace the start of her journey to a sandwich. While studying graphic design at the Ontario College of Art and Design (OCAD), she had to pass by people living on the streets of downtown Toronto—and eventually found she could no longer look away. So Chen gathered some friends and started distributing food to the homeless.

A sandwich often led to conversation—and a new perspective. “I think a lot of us really wanted to understand how people ended up there, what they are like. Who I thought the homeless were was turned upside down because I met previous entrepreneurs and really wealthy people who, through a series of unfortunate events, ended up on the streets.” For instance, a highly educated doctor who wound up homeless after going through a rough divorce.

Chen started seeing homelessness in a new light—a difficult situation that can happen to people of all backgrounds. That realization hit home in 2019 when Chen’s own mother experienced homelessness after a surgery made it difficult for her to find work. “If it was your family, how would you look at things? How would you treat that person you see on the street if she was your mom?” Chen asked in a blog post.

For her undergrad thesis, Chen explored how to use design and technology to help the homeless, redesigning a list of City of Toronto resources into a user-friendly website. She took a tech job after graduation, but a trip to Los Angeles reignited her passion for helping people struggling with homelessness. During a visit to LA’s notorious Skid Row, an area of downtown with a high concentration of homeless individuals, she met a woman teaching computer skills, such as how to craft a resume, to people on the street. What struck Chen? While residents of Skid Row lacked a permanent home, they often had cellphones or access to technology. (In a survey of 421 homeless individuals, 94 percent of respondents said they owned a phone and used it as an essential tool for communication.)

That trip helped Chen envision an opportunity to combine her skills in tech and her passion for helping the homeless. As she had done with her sandwich runs, Chen gathered a group of friends to reach out to the homeless community in Toronto and learn more about their needs.

Simon Bunyi was part of the Ample Labs team when he found himself in the same situation as people they were trying to help. He was laid off from a Fortune 500 company and later evicted from his apartment; this is statistically the most common reason individuals end up homeless in Toronto. Those were his “darkest days,” he says, looking back. “It made me think more about how I interact with people.”

Bunyi had been living in an area of Toronto with a high concentration of people living on the street. He came to realize that the only thing separating himself from them was a regular paycheque. When that disappeared, Bunyi reached out to Chen and Ample Labs to help him navigate the complex network of websites and resources for help. They thought it would be simpler if there were an app for this. And that was the beginning of ChalmersBot. (Watch the full story below.)

So, More Apps for That?

Chen never intended Ample Labs to be more than a side project, but after the beta launch in November 2018, the team of 20 to 30 volunteers realized the service had tremendous potential to help the estimated 235,000 Canadians who will experience homelessness. In the past, that population largely comprised of older, single men, but according to the study, Canada has seen a rise of women and youth ending up on the street. With its ability to tailor resources to specific demographics, ChalmersBot generated attention. Ample Labs raised money from a crowdfunding campaign, grants and corporate sponsors (including TD, Google, and Twitter) and found a home in Ryerson University’s Social Venture Zone. The goal is to generate additional, sustaining revenue selling ChalmersBot services to cities. Barrie, Ont., was the first to buy in. Numerous other cities in Canada and the US have shown interest.

Ample Labs now has 8,000 unique users in Toronto and multiple contractors, prompting Chen to quit her job as a UX designer and become Ample Labs’ first full-time employee. She’s recently hired a second employee and plans to continue expanding the team in 2020. Though the non-profit is experiencing exciting and rapid growth, the culture and core values of Ample Labs remain the same.

“Internally, we’ve built a culture of always learning from each other and making sure it’s diverse voices that are teaching the rest of us,” says Chen. “We want to build something with people, not for people.”


Creating researched and inspirational content to support and advocate for feminist changemaking takes hundreds of hours each month. If you find value and nourishment here, please consider becoming a donor subscriber or patron at a level of your choosing. Priced between a cup of coffee or one take out salad per month.

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This article was made possible thanks to the generosity of Startup Toronto.


Related Reading

https://www.liisbeth.com/2019/03/09/move-over-girlboss-its-the-feministboss-era/

https://www.liisbeth.com/2019/04/26/where-are-the-women-in-canadas-women-in-tech-venture-fund/

Categories
Allied Arts & Media

Stuff Your Stockings With Feminist Joy

 

Photo: Champagne Thompson

Most practices of the Christmas season contradict my feminist values, the gendered narratives of Christianity conflated into the season of “giving,” with women carrying the burden of holiday shopping, cooking, and social coordination. Then there’s the “give and get”—giving a charitable donation in time to get a charitable tax receipt by year end.

For me, holiday giving and celebrating should not be powered by a capitalistic consumer agenda but by love, thoughtfulness, kindness. During the holiday season, winter solstice in particular, I focus on hope and gratitude for female* energies rather than the pinging of POS machines in shopping malls driving us into debt. Do our loved ones really want that? I don’t think so.

This year I endeavoured to find a way to engage with the festivities, in ways that make my heart happy. I visited three events featuring feminist makers and changemakers: the Made by Feminists Market at Toronto’s Gladstone Hotel; Ottawa’s Feminist Fair; and the Indigenous & Ingenious Show and Sale in Toronto. You can check out their crafty arts online, as I am sure they will inspire you to new ethical shopping heights, as they did me.

Here are some of my feminist faves that are sleighin’ it!

 SaSa Naturals, Toronto

This powerhouse family team walks the feminist talk! Sisters Sarai (22), Jahdiel (25), Kristine (27), and their mom, Carolyn, run SaSa Naturals, an ethical, all-natural approach to self-care that emphasizes the power of women’s bodies. The co-founders are incredibly knowledgeable about each product and ingredient as well as traditional hygiene and wellbeing practices of women around the globe. They source goods directly from female-run shea nut farms in Ghana and even visit regularly to ensure female farmers are being treated equitably and that plant-based products are produced sustainably and free from chemicals. Products include all-natural deodorant alternatives, delectable soaps, bath bombs, lip chap and Yoni steam kits (unlike Amazon’s selections, these vaginal cleansing kits use herbs that honour the sacredness of womanhood). By using traditional medicinal practices rather than chemicals, the SaSa team is building a sassy brand that reminds women that our natural selves are our true selves. Check out their Instagram page to place orders that can be shipped to both Canada and the United States.

 Radical Roots

Kristen Campbell, an ecological restoration maven, founded her company almost two years ago as a way to make beautiful change in the era of climate crisis. She handmakes seed bombs—ethically sourced native plant species balled up in clay—that you can chuck at any barren patch during your morning walk or your own garden for that matter. Add rain, and flowers spring up. Bees and butterflies will love you, as native habitat springs from these flower bombs. Beautifying the world has never felt so therapeutic as hucking an enviro-friendly bomb of life to Mother Nature! An excellent gift for the outdoorsy, flower-loving, tree-hugging types in your life or for anyone who just wants to drop an f-bomb—and feel great about it.

 Read My Flowers

 

Helena Verdier discovered a love for transformative upcycling while studying at Carleton University. Now 26, she has made a business of repurposing some of our favourite literature into works of visual and wearable art. She creates paper flower crowns, centrepieces, and floral decor, showcasing and selling her flower-power pieces on her Instagram page. Seeing Verdier’s artistry highlighted on the Feminist Twin’s page enticed me to make the trek to their Feminist Fair in Ottawa for their sixth annual event where I discovered plenty more feminist gift-giving ideas.

 Hand Stitched by Claire

Remember those framed embroidery pieces hanging in grandma’s house, greeting you with cheesy, sentimental sayings, like “Home is where the heart is” and all that? Well, Claire’s (Claire ask us to not publish her last name) embroidery art is not that. The 30-year-old stitches radical, feminist ideas into her hoops such as “A woman without a man is like a fish without a bicycle” and “Ovaries before brovaries” as well as slogans for the woke such as “If it is inaccessible to the poor it’s neither radical nor revolutionary” and “Hang on lemme overthink this.” She also draws on racialized voices for inspiration. From Serena Williams: “The day I stop fighting for equality…will be the day I’m in my grave.” Such soulful, gut-punching, and often hilarious affirmations gave me the most painful belly laugh—and sure to deliver the same kick to your pals. Claire ships her work straight to your door—and accepts custom orders should you know exactly what will tickle a friend’s feminist fancy.

 Chief Lady Bird

At Indigenous & Ingenious, I visited Chief Lady Bird, an Anishinaabekwe artist who resists colonization through her mixed media prints, brilliant murals, skateboard decks and youth-focused projects that focus on Indigenous resilience, sex and body positivity, as well as calling attention to the importance of Indigenous women in our communities. She recently illustrated Nibi’s Water Song, a brilliant children’s book about Nibi’s quest to find clean water in her community, highlighting the need to listen to Indigenous voices and protect our planet for future generations. You can order Chief Lady Bird’s art on her Instagram page. She takes commissions for custom pieces too.


But the greatest
gift I took away from my foray into these feminist fairs? The knowledge that every dollar we spend casts a ballot for the world we want to inhabit. One maker told me that the money she made at the event will help pay her rent this month. When we buy from our brilliant sisters, we are also giving a gift of survival and support in the fight to dismantle the patriarchy. Now, I can deck the halls with that!


Creating researched and inspirational content to support and advocate for feminist changemaking takes hundreds of hours each month. If you find value and nourishment here, please consider becoming a donor subscriber or patron at a level of your choosing. Priced between a cup of coffee or one take out salad per month.

Support LiisBeth

Subscribe!
You will have access to Payments processed through PayPal.

 




Funding
You can also contribute to our “Sustainability Fund” or an open donation in any amount.

 


This article was made possible thanks to the generosity of Startup Toronto!


Related Reading

https://www.liisbeth.com/2016/11/22/merry-little-inclusive-holiday-season/